Dunu Titan X Review 

Intro 

Hello, this review and feature covers the latest from the audio brand Dunu named the Dunu Titan X ($32). The Titan X is a single dynamic driver budget priced set of in-ear monitors which have been out on the market for a little while now and has already had some success early-on. This review and feature of the Titan X is a hair late to the party, just the way I like it. Anyways, I’ve actually had a number of budget oriented iem reviews of late and I am 100% blown away at how awesome the quality of these iems are anymore under $50. I am actually awaiting the Titan X’s arrival, and, in the meantime, I’ve been spending time with some other budget bangers from years past, and some newer sets too. It’s been a fun walk down memory lane, almost a rediscovery of how I got here. That said, for whatever reason, this hobby and its hobbyists (including myself) have a remarkable way of forgetting about iems, shoving them away, tossing them aside, and moving on to what’s next. The wild thing is that there are still many budget oriented iems which can still hold their own against the current budget kings. However, that’s a side point. As for now, I cannot wait to hear the Titan X and compare/contrast it against some other quality iems in its price point from the present and the past. I’d also like to get a handle on where the Titan X fits within the current ocean of budget iems. 

Titan X

Just from perusing the Dunu website and taking a look at the Titan X’s promotional material, I can see that Dunu is trying to craft a product which challenges our perception of how “premium” a budget set can appear, feel, and sound like. This cannot be easy. Manufacturing costs, cost of materials, even some R&D perhaps, as well as planning etc. would indicate that the Titan X should cost a bit more. You’d think. I mean, $32 is the low-budget category and just out of “ultra-budget” territory. To see such a nice-looking set for that cheap is quite nice to see. Certainly, a trend that I’d love to see other brands copying. Don’t get me wrong, we’ve seen awesomely built budget iems in the past, like the KZ Zenith, or KZ D-Fi. Of course, if you spend a bit more at $50 you can find a huge swath of solidly built iems. However, basing everything solely off of the promotional materials for the Titan X, I’d say getting a slew of tips, a decent enough cable is pretty dope. Also, an all-alloy matte build and minimalist design which incorporates a solid driver, dual magnets, and a dual chamber build. This set is not typical, at all. Hence why I can’t wait to hear it. 

Dunu

I’ve done many Dunu reviews of late and I’ve gone through this a few times, but I still find it amazing that Dunu has been around since 1994. That blew the doors off and obliterated my assumptions. I figured early 2010’s at the earliest. Turns out that Dunu was an OEM/ODM manufacturer for years before they released their first line of iems. That ship sailed smooth and fast for quite some time as Dunu crafted the DN Series followed by the DK Series, the SA Series, and of course none other than the Titan Series and many-many more after until present day. Their success is warranted as a high sound quality paired with excellent build quality, aesthetic design, and premium packaging is always a staple with their products. I’ve reviewed a handful of Dunu’s iems which includes the Dunu Kima, Dunu Kima Classic, Dunu Kima 2, Dunu Alpha 3, Dunu X-Gizaudio DaVinci, Dunu x-Koto Ito, and the Dunu DN142. I’ve only ever turned a couple away for various reasons, but by-and-large I have nothing but respect for this brand and their commitment to crafting some great products. 

The Titan X Has Landed

Well, I finally have the Titan X in my possession, and it has been eye opening. Without question I am going to review this set and thankfully I didn’t write that entire intro for nothing. I’ve actually written many intros which never saw the light of day. At any rate, the Titan X is everything that I thought that it would be and more. Just holding this set makes me wonder how Dunu is making any money at all. Listening to them takes that curiosity even further. Now, the Titan X has some serious competition that is not simply going to go quietly into that good night. No sir, when you have sets like the EPZ Q1 Pro, the Cozoy D1, and many more, the Titan X surely has its hands full. Now, before I dive into my full review, I did hear something that I’m hoping gets dealt with in burn-in. So it isn’t perfect in these early hours. Still, altogether, this set is great, but there is a touch of glare on certain tracks nearing the upper-mids which I’m hoping gets sanded down during run-in. So, off to the burn-in station for the Titan X. I’ll give it three to four full days and see you back here after. However, for now I’m ready to get into this review. So, without further ado, the Dunu Titan X… 

Non-Affiliated Purchasing Links:

–HiFiGo

–Amazon (HiFiGo)

Gear used for testing 

–Shanling UP6

–Shanling UA6 

–Ifi Go Blu

–BASN PA60

–Surfans X10 

–Hidizs S9 Pro Plus  

–Shanling UA7

–Shanling H0

–Hidizs AP80 Pro Max 

–Fiio JM21 

–Hiby R3 Pro II

–Hiby R6 Pro II 2025 

–Shanling M1 Plus

–IBasso DX240 with Amp8 MK2 

–Shanling M6 Ultra 

–Fiio Q15

-Many more sources used including weaker Android 3.5 set phones, iPad, and a few weaker 3.5 se dongles

Packaging / Accessories

Unboxing 

The Titan X arrived at my home in a very small black box (4” x 4” x 1 ¾”) which features a slick looking “X” on the cover as well as some usual specs on the back. Once you open the box, you’ll see the Titan X chilling in cardboard covered foam cut-outs while attached to the cable. Take out that layer and you’ll see a black cloth drawstring carrying bag. Inside of the bag is an iem cleaning tool, as well as quite a few eartips too. I actually really like this unboxing. It’s simple, great for a budget iem, and easy to deal with. Also, it looks pretty nice too. 

Eartips 

Dunu provides quite a few eartips within the packaging, which I was not expecting at all. They provide 10 pairs of eartips in total over three different styles of eartips. The first set of three (S, M, L) are light blue silicone tips with a ballooned and firm flange, narrow bore, and these tips go pretty deep too. Definitely more of a deep fit set of tips. Next, Dunu adds in four pairs (S, M, M, L) of black silicone tips with a red stem with a fairly firm flange, rigid stem. Very nice for sure. Lastly, Dunu actually added in their “Dunu Candy Tips”. These are color coded white silicone tips with pastel-colored stems and a narrow bore. These are very comfy and I’ve always liked them with my iems. However, I actually went with an entirely different set as I did tip-roll. By the way, I don’t think it’s necessary for everyone to tip roll. I only did so because I am endlessly curious about what can give me the best sound. I actually went with Hiby WG01 eartips and I am very happy with how the Titan X responded. Having said that, I feel that Dunu provided enough tips over enough styles to really provide a solid listening experience. For the record, of the provided eartips I used the Candy tips the most. 

Carrying Bag

Again, Dunu provides a black cloth carrying bag with a nice drawstring and its pretty good size too. I’ve always loved carrying bags and prefer them over hard cases as I can simply put them in my front jeans pocket. It’s awesome. I love a good carrying bag. Of course, I know that many of you would want a hard case. However, folks, how many sets under $40 have any sort of case at all? I’ll. Answer that for you… almost none. So, I’m not complaining at all. Also, I’ve actually used this bag for at least a month now. 

Cable 

So when it comes to budget iem cables, I’m never impressed. How could we be? Typically, these brands will toss a $3 cable into the package and wipe their hands of it. Friends, Dunu is really trying to give us a solid package here because the cable provided is very nice. I ended up cable swapping for a 4.4 balanced cable, but I’ll. Explain that in a minute. For now, the cable provided is a dope looking metallic silver/gray colorway with a dope Litz braiding and aluminum fittings. Friends, please hear me, you will almost never get a nice cable with a $30 set. These brands are trying to make money. Well, accept Dunu… apparently. Lol. Anyways, the cable provided is a 3.5 single ended (or type-c @ Purchasing) 4-strand single-crystal copper cable with silver plating, 0.78 2-pin connectors and a very pliable feel. You won’t have any microphonics with this cable folks. Really, truly, a nice cable.

What Did I Use? 

Now, as I said, I did swap cables. Listen folks, I’m a cable snob. I can admit it. Maybe I need help, I don’t know. I really like the cable provided but it isn’t fat enough for this set. This set needs something brown, metallic brown, with a fatter braiding, more premium yet. I actually went with an even more visually appealing cable (in my opinion) by using a cheap alternative by using the Artti A1 ($16 in Amazon) cable in its 4.4 balanced variant. The A1 is brown, it has a metallic sheen, it’s a fatty cable, and guess what, it’s fairly cheap. One of the better cheap cables that you’ll find which looks far more luxurious than its price point would indicate. I did use the included cable for all 3.5 single ended listening (which I used frequently), but the majority of my listening will always be with a 4.4 balanced cable. Obviously, you may love the included cable and have no need for a balanced cable. Honestly, you have a great included cable that does its job, is made well, and looks very cool with this set. 

Build / Aesthetic / Internals / Fit 

Build Quality 

When it comes to the build I can promise you one thing, the Dunu Titan X is easily one of the best built iems that I’ve seen under $50, if not the best. I don’t like declaring “Best” of anything in a subjective hobby, but I think this one is quite obvious. The Titan X is built entirely out of high-density zinc alloy by way of CNC machining from one solid block making sure to perfectly carve out those internal chambers. The Titan X has a dual chamber design, and those chambers have to be carved. This process always has multiple steps of anodizing, and coating in many layers to protect the Titan X from any corrosion. Zinc alloy really is one of the best and most tolerant metals to use for this type of application. Dunu then hand assembles the drivers, wiring, nozzles, vent damping etc. By the way, the Titan X has two small vents. One over the rear chamber and one over the front chamber. The nozzles are right at the standard size of 6 mm in width with internal mesh filters so as to tune the Titan X further. I’d say they are medium length. Not too short, not too long. The Titan X is not a huge set of earphones (a little over 20 mm long) and they are very lightweight too (about 7 grams). Overall, I am so impressed at what Dunu achieved with this build for the cost. Absolutely awesome. 

Aesthetic 

One of the coolest aspects of the Dunu Titan X is its design language. What a gorgeous, minimalist, handsome, and totally slick looking set! Man do I adore a simple design that is intricate in its lines, streamlined in its appearance, and unique from other sets on the market. Dunu didn’t just take a known template and repeat like KZ for example. They went with a design that is totally different from other sets within the vast ocean of iems within the Audioverse. The Titan X has a nicely applied matte brown finish and comes in a teardrop shape which narrows at the nozzle end. The faceplates are ever-so-slightly concave and feature a single “X” imprinted on the faceplates with white paint. I’m sure that some of you may not totally enjoy the design, but I think it is very cool that you can get this kind of aesthetic appeal at such a low cost. 

Internals 

The Dunu Titan X has some very nice internals for such a low cost sporting a 10mm DLC (diamond-like coating) diaphragm with a flexible surround as well as a. CCAW copper cladded aluminum voice coil. It also features dual N52 magnets sitting inside a dual chamber design splitting the rear volume into a primary chamber as well as another resonance chamber using baffles and internal damping, I assume. There is more but I’m sure you get the gist. Basically, the Titan X is outfitted very well. Friends, for $30 this is cool. Granted, there are a few other budget iems which carry this type of inclusion internally, but they are few and far in between. Please believe that. 

Fit / Comfort 

As far as fitment, for me, I have had zero issues at all. Most iems fit me just fine and the Titan X is no different. Once I found eartips which sealed well in my ears the Titan X turned into a set that I could wear for many multiple hours. Absolutely zero wear fatigue. It helps that the Titan X weighs only 7 grams (roughly). I also need to note that the Titan X seals the outside noise extremely well. The passive noise isolation is fantastic. I wear these around my house for hours, daily, and there have been too many times to count that my wife has been talking to me and I wasn’t hearing any of it. For the record, she doesn’t love that, at all. I’m okay with it… LOL. Be that as it may, the Dunu Titan X has a very ergonomically savvy design and should fit 98% of you perfectly. 

Drivability / Pairings 

Sensitivity 

The Dunu Titan X is a very sensitive iem. Dunu has the Titan X listed with an impedance of around 16 ohms and a sensitivity of 105 db/mW which means that even on an old smartphone spotting a 3.5 single ended jack you should be well able to listen to music at good volume and dynamics. I actually used the D1 with two old Android Samsung smartphones as well as an iPad, two super weak (25-35 mW @32 ohm) Conexant dac no name dongle dacs. Shoot, I even used this set for an entire day with the KZ AN01 Bluetooth earhook adapters. Friends, everything I played the Titan X on sounded at least dynamic. Obviously, not all of these sources sound good as they have the cheapest components, dac chips, and not a lot of power, but they all had good volume with substantial enough headroom. To be quite honest, my old Galaxy Note 9 sounded very-very good, surprisingly good. However, we should all expect less high-res options to sound less high-res. Now that I’ve said that the Titan X absolutely scales with power and better sources. In fact, while testing on those weaker sources I couldn’t wait to get this set back on some good devices. I’m not saying that more juice will turn the Titan X into a kilo-buck killer, but I will definitely say that it sounds better with a hair more power… 

More Juice

I say this in 99% of iem reviews that I conduct. That is, the Titan X easily scales at (to varying degrees) with some added output power. Of course, my more powerful sources are also typically my “better” sources. Usually within my more power heavy devices the Internals are better, better implementation of components, cleaner sounding, and just more powerful. It stands to reason that more powerful sources will generally sound better. The Titan X has a definitive uptick in bass cleanliness, denser punch, more separated, along with better treble extension, and a more dimensional stage. These attributes are very easy to hear on this set. Again, much of that uptick has to do with using better sources, but power typically will improve your listening experience. Remember, the Titan X doesn’t “need” a big amp to wake up the drivers, you’ll simply hear a refinement of sound. 

Source Pairing 

For my best listening experience with the Titan X I definitely like a source ranging from warm/neutral to neutral and with a slightly smoother and richer cadence. The Titan X is what I’d call warm/neutral, but it definitely has some sharper upper mids which can lead to mild glare if your source is too lively up top. This is not a neutral/bright or reference style tuning, but I still like to hear a touch of warmth from my source if possible. Something to counter the obvious energy in the upper ranges. Of course, these are my opinions, and you may want some more treble energy, some more vibrancy, and maybe you enjoy that crispness. Lord knows that there are many days that I do. However, for most sessions I want a sound that I can listen to without fatigue, something with some solid bass presence, something more balanced too. The Titan X fits that bill for me when my sources work with its tonal coloration. 

Sound Impressions 

*Note: before I dive into the sound portion of my review, I have to make a few comments and caveats. First off, I did perform some burn-in of the Titan X for roughly 3 full days. I should note that you really don’t need to do this. I’d recommend it, but it is not necessary. The Titan X still sounds good out-of-the-box. Having said that, there is some edginess which gets sanded down in the upper ranges which really helped in my listening. Also, all critical listening was done using Hiby WG01 eartips. I find these tips fit and sound fantastic with the Titan X. Furthermore, most of my critical listening was accomplished using a 4.4 Artti A1 cable. I listen mainly to flac or better files (some MP3) which are stored on my devices and rarely do I stream any music. Especially for critical listening. 

What’s It Sound Like? 

Another week goes by and once again another fantastic budget iem. There is no question in my mind that the Titan X is well able to stand next to any of the best iems under $40. I should remind you that this set costs a measly $32. At any rate, the sound betrays the price point by offering a rhythmic and dynamically balanced look at the spectrum with some nice timbre to boot. The Titan X is warm/neutral with a nice touch of upper range brilliance and a bass which centers its foundation near the sublevels, for the most part. I hear a sound which is neither thin nor rich yet leans towards rich (semi-rich) with a smoother portrayal of the mix as the Titan X favors melodic flow over aggressive bite and precision. I would say that is a smart move on Dunu’s part being that the Titan X is a budget iem. This is a tuning which doesn’t miss the emotional sentiment within my music and lends a hearty and also pretty clean sound to my library. In fact, to my ears I’d say that the Titan X is most certainly a “musicality-first” iem, yet with a musical/analytical split that is close to balanced. I’d call it a 60/40 split. So, a harmonious and tuneful sound which isn’t without some decent techs. 

Signature

I really don’t like naming “signatures” as I’m never really happy with what I decide. However, I would have to call the Titan X a slightly V-shaped signature with only a slight low-mid recession and a clear focus down low and in the upper midrange. One thing is clear; the Titan X definitely has some good clean energy that can become a hair rambunctious with some boisterous macro-dynamic vitality and pretty transparent macro-detail retrieval. Of course, I am speaking on a set that costs $32 here and so I really don’t want any of you reading my words as though I’m saying the Titan X is “The Best Budget IEM”. I’m not saying that, and even if I did it would only be true to me. Though, I will go out in a limb and say that for those who really enjoy this type of signature the Titan X will certainly play leapfrog with some more expensive iems. No doubt about it. Dunu crafted one hell of an iem and an absolute NO-BRAINER at its cost. In respect to that last sentence, I would also say that the timbre is pretty close to organic. Not quite “neutral-natural” but veering towards a natural sound. I suppose its greatest strength timbre-wise is that you won’t hear anything metallic or artificially boosted. Between the bass emphasis (9-10db bass shelf) and the upper mid pinna rise (11-12 pinna rise) the Titan X has good offsetting dynamic presence while remaining both vivacious as well as harmonious. 

Refined-yet-Kempt

For a smoother leaning sound, the Titan X definitely comes with adequate levels of crispness too. Something about the lesser resonant harmonic swell within my music with the Titan X. To my ears I have noticed a certain note rigidity (at times) from alloy shells over resin, or plastic iems. It isn’t a guarantee, but more often than not I hear less resonant vibrational smearing and softening of note edges. Typically alloy “seems” to do a better job of letting upper end notes sound more compacted. Especially in the treble range letting those high notes emerge a hair more precise, if you will. The zinc alloy of the Titan X (which is not typical of budget range iems) almost acts as an acoustic boundary of sorts, reflecting sound waves and absorbing those micro-vibrations more efficiently and effectively than other materials. The Titan X absolutely carries those crisper edges when called upon with a slightly more taut than natural transient response past the bass region. Honestly, I would almost label this set “Refined-yet-Kempt” or “Fluid-yet-Taut”. Friends, while the tuning won’t change your life or add years to your existence on earth, it should be one of the more sought-after budget range sets which can at least help your living days sound better. Smooth and crisp are typically descriptors aimed at more expensive sets when spoken of the same iem and in the same sentence. 

Not Great for Everyone 

As fine as the Titan X is for a budget range iem there will be plenty of folks who won’t jive with this set. Especially any of those folks who need that big bulbous and totally bullish bass response. Lately we’ve seen a huge surplus of bass loving hobbyists who much more want that hard and deep juddering sound and can live with how that bass can obscure clarity. Also, those sensitive listeners amongst us may have issues with the Titan X’s upper mids. No doubt this set can get a bit spicy at times. This was actually my only true complaint while listening to certain tracks using certain sources. I’d also say that those types who greatly desire tracking details within their music will likely find the Titan X to be too colored and not quite resolving enough. Granted, under $35 there really aren’t many crystal-clear sets which aren’t obesely boosted up top. These folks would be the most obvious listeners who could have a problem, in my mind. I can tell you that I will do my absolute best to speak exactly as I hear it. I’m not patting myself on the back, but I’ve heard a ton of iems and I have many to cross reference and compare. Hopefully I can be of some help to you. Let’s check out each 3rd of the mix. 

Bass Region

I have been nothing but pleased with the bass region of the Titan X. Really, the bass as a whole is very well textured with respect to the price range. Definitely not a basshead style. In my opinion the bass is just-above-moderate with its 9-10 db’s of bass shelf sounding heavy and meaty when called upon. It’s well controlled, nothing sloppy, and the bass has a fairly clean approach to a reasonably hard-hitting sound which keeps to itself. Definitely a very engaging low-end which doesn’t smear the mix and doesn’t oversaturate the rest of the frequency. Notes all lean on the taut and dense side of the aisle rather than softened or pillowy. It carries a fairly punchy and exact/speedy attack, a slightly faster-than-natural decay, a firm sustain, and a quicker release. Basically, transients aren’t the slow or atmospheric kind without those blooming resonances and hazy, muddled, or fuzzy note edges. Let’s put it this way, the low-end transients aren’t quite as sharp and defined as the Cozoy D1, but they are streamlined, defined, and clean-lined enough with a much more authoritative and even more authentic to life timbre than the D1. More raw depth and hard structured in its low-end note body than the CCA Phoenix too. Also, again, very well textured for a low cost set with nice surface tactility. Stuff like double bass, bass guitar, kick drums have the fullness, palpable feel, and timbre needed for a convincing sound. Bass guitar carries that nice and plucky corporal texture with a gravelly and guttural weight. Kick drums sound full-bodied, dense in their hollow boom, and very fulfilling. So, most instruments will come across bullish enough without losing note integrity or becoming a detriment in other regions. 

Sub-Bass 

To my ears the sub-bass is definitely the more boosted of the bass regions. In a healthy way. Dunu still added enough mid-bass bleed and emphasis, but the sublevels carry a nicely haptic rumble with concise transients making for a fairly dense note body. Also, the extension into the lowest of lows reaps some of that satisfyingly dark vibrant judder. You’ll hear that in a track like “Tell Me What’s on Your Mind” by The Decemberists. This is a track that any set will sound at least marginally authoritative, but the Titan X hits those low electric bass guitar growling notes with ease while keeping solid separation for a more musical set. Another is “Weightless Part 1” by Marconi Union which has these focused and simple ambient synth drones and the Titan X makes them sound very pristine but also pulsing in weighted haptic feel. Also, the sub-bass isn’t slow which can create such a concisely sonorous sound. Like contrabass which has that meaty constrained bellow with great texture to it. Or any synthesizer digitally sounding very well controlled and fairly heavy with the Titan X. Without question the sub-bass is one of the best things about the This budget range phenom. It isn’t too boosted, it plays cohesively within the framework of the target tuning, and it can be very gratifying without overstepping or smearing. Great for $32.

Mid-Bass 

That brings us to the mid-bass, an area which is nicely measured to accommodate the rest of the mix (particularly the midrange) with that natural note weight, that semi rich body and cleanly rendered warmth. This is not an overly boosted range folks. Perhaps it’s the poster child bass for a budget set when I say it “shows up when called upon”. The mid-bass will sneak up on you. I wouldn’t call it a super-fast bass, but it’s tidy. I wouldn’t say the mid-bass is completely agile either (like a planar or BA), but it’s dexterous and can make its way around complicated tracks without much issue, without much blur, and without obscuring note definition. Of course, bassheads, or even “guilty-pleasure” bass enthusiasts aren’t going to break down doors to get this set. Again, it’s a much more balanced and fun sound without the “guilt”. The mid-bass is the type which is boosted to the point that it provides note body without the bloat while hitting with an authoritative slam. For instance, “Rich Off Pain” by Lil Durk‘s & Da Baby shows this “rise to the occasion” variety of big bass drop authenticity without blurring vocals. The Titan X sounds bullish and pretty focused in note control. It won’t be for everyone, but will be for those who want a cleanly presented & engaging sound which can still come across enjoyable. Great for those who desire a semi-meaty mid-bass thump which remains technically astute. 

Downsides to the Bass Region 

I hate to do this. I really do. Sometimes I question adding this section because on a set like the Titan X, at $32, there is very little that is a true “issue” at all. I say it in every review, over and over again, that most of the iems I review will have mostly just “subjective preferential tonal issues”. There’s nothing wrong with this bass folks. If anything, it betrays its price point and sounds better than something I’d call “budget”. However, I’m gonna do me and think for the consumer here. Let’s face it, not all of you want a dynamically balanced bass with a just-above-moderate emphasis, and not all of you desire something not labeled “basshead”. This set is a touch too lite for those bass-bois, I would think. Granted I almost always want a boosted low-end… and I’m more than satisfied with the Titan X’s output done low. Of course, I love all signatures if done well, even less bassy tunings. Still, the bass won’t be for big-bass-lovers. On the flipside, those ultra snappy bass fans who want zero resonant harmonic transient lag, no extra note girth, and who want a bass which sits back, is lightning fast, and never masks anything, ever. Those folks won’t find the Titan X appealing. It’ll come across a hair too slow, not as compact and agile enough. There are some quicker and more snappy bass budget iems on the market which would much better please those people. 

Midrange 

Remember, this is a slightly V-shaped tuning. With a V-shaped sound you are going to have some semblance of recession. What I find intriguing about the Titan X’s midrange is that it is only ever-so-slightly recessed (lower-mids) yet carries solid presence. This is no small thing because this set is musicality focused. For a slightly more recessed sounding midrange which also carries some embossed presence; this set has to have some clean lines, some dynamism, with good enough separation, and good note density. Those notes have to sound at least somewhat clarity-rich, otherwise they will sound less acutely focused, less distinct, and more obscure. Dunu has been at this game for a very long-time folks. They did a very nice job here. It may not be your favorite, definitely not mid-centric or vocal-centric, but the Titan X’s midrange does it all very well for the cost, striking a nice balance between body & clarity creating a great sound that is easy to listen to. This is not a dry midrange, it isn’t lean, it isn’t papery, and it’s not one which will force your perception onto detail tracking. This is a midrange to enjoy your music with. 

Mids cont… 

Now, I would say that the midrange timbre lands somewhere around “off-natural”. Tonal coloration goes from warm/neutral in the low-mids and feathers in perfectly cohesively to the neutral/vibrant upper-mids. Very close to organic and great for a budget iem, but it won’t have that organic or neutral-natural sound of more expensive iems. Piano, guitars, vocals, percussion, all have pretty realistic warmth and texture without the plastic or metallic sheen that many budget sets carry. Also, notes aren’t overly softened either, but they are definitely smoother in cadence and flow. With that smoother cadent fluidity, the Titan X’s midrange isn’t without some subtle air and crispness either. I said “subtle”. However, the midrange may surprise some of you with its nice note contour, even if it favors musical engagement and emotionally infused tone over stark-exact-precision. I hear a nicely layered sound and again, solid note density providing some decent dimensionality and fantastic single DD coherence for $32. 

Lower-Midrange 

The lower midrange has a nice amount of bass bleed for me. Enough bleed-over to give some body and warmth to low-mid notes without sounding too soft or fat/hazy in note delivery. Now, the low-mids do have a subtle recession and so they aren’t as forward as the bass region or as vibrant/pronounced as the upper mids, but I hear solid enough presence and note richness for my taste. No, the low-mids aren’t quite as clean-lined and exact in their note contours as the rest of the midrange, but Dunu made sure to provide enough clarity for instruments and vocals. For me anyways. Obviously, I am not you. You may yearn for a crystal clear low-midrange (albeit thinner, less authoritative) with a high level of transparency. The Titan X isn’t really that. Having said that, males typically come across decently. Clear enough to sound separated and fairly distinct, and rich enough to back up those clean note outlines with solid note body. Males tend to benefit from this rather well. Though, it should be noted that the low-mids aren’t as energetic, with a lower tonal contrast, and less of a vibrant feel then the upper midrange. Also, that should be expected. However, many types of male vocalists sound really nice, like Chris Stapleton in “Sometimes I Cry”, or Noah Kahan in “Stick Season”. Males with some edge to their voice really come out fantastic. Also, with the more organic feel to the region I find it hard to complain about. Still, if there was a “worser” region on the Titan X, I’d probably say the low-mids. 

Upper-Midrange 

The upper midrange is one area which steals the show on the Titan X. I like the way that Dunu decided to prop up this region by uplifting the upper-mids with some real presence filled focus. I’d say that the upper mids share the crown jewels of this set with the sub-bass as they come across very lively and stray from blatant shout or glare. Again, I said before that using brighter sources can promote a more glaring sound in this region, so keep that in mind. However, when using the Shanling UA7, Shanling M6 Ultra, Fiio Q15 etc. the Titan X’s upper-mids come across very well-tuned. You have that natural-ish timbre, intimate and forward anterior positioning of the sound field, very musically rendered too. Fantastic for female vocalists. Friends, I hear nothing plasticky, nothing edgy-metallic, no sibilance, while the air, clarity, and resolution of the upper-mids boosts edge definition, perceived detail retrieval, and vocal intelligibility in a natural way. Nothing artificially boosted. Again, a very nicely tuned region for a set costing $32. Furthermore, the upper mids have that emotionally engaging presence that sings in such a harmonious way with so many female vocalists. Especially, any fuller soprano voices like Sia in “Elastic Heart” or Elle Fitzgerald in “Love is Here to Stay”. Sometimes I forget that the Titan X is a budget range set. The way every inflection of Sia’s voice just crests that tolerable limit of shout yet stays controlled and pure is very remarkable. Or the smokey timbre of Ella and her beautiful velvet voice which has that close chesty resonance on the Titan X, making for a very intimate yet bold sound. Really great. 

Downsides to the Midrange 

The midrange certainly has some subjective gripes that I imagine some folks having. First off, I can tell you that while the Titan X has solid control over the upper mids, I still will occasionally hear some glare. Not so much that it’s a problem, per say, but it does happen. I think that sensitive listeners will likely have an issue with that. To add to that, those who desire an even richer, warmly tuned, and less vibrant midrange sound will be disappointed in this set. I could say that the lower midrange is a hair recessed. Granted, I truly don’t find this as an issue, but some of you may. Perhaps the low-mids aren’t as clean as the rest of the midrange, slightly less exact and distinct in its note delivery. As honest as I can be, this is a budget iem friends and with a budget iem… you’ll have these issues at times. Especially a single dynamic driver earphone. The fact that Dunu got as much right as they did is an achievement. It is so very difficult to tune a budget range single DD with both a vibrant and lively sound as well as a melodic and smooth sound. There will always be give-and-take problems that occur. Really, for the cost and for the tuning I’d say that Dunu made a quality midrange. 

Treble Region 

I find that the treble tuning is smart. Especially for a single dynamic driver without loads and loads of research and development. Dunu went the energetic/safe route. You see, this treble has some liveliness to it. There’s a definite boost to the lower treble which adds that luminous presence to my music. You can hear it right away. It’s feathered in perfectly with the upper mids and totally uplifts the sound. However, in the air region, the upper treble is somewhat rolled off in an attempt to keep the sound down to earth, not too brilliant and not sizzly. I like this tuning as it keeps the timbre in check. No, it won’t be the most open and airy sound, but it adds enough air overall whilst also holding true to the musical and emotionally gripping sound that Dunu was shooting for. Tuned for a less vivacious and more measured brilliance rather than aggressive air and precision. If that makes sense? I’d say that the timbre in the treble leans neutral with a touch of radiant hue coming across as more-smooth-than-etched. I really do not find the treble to be fatiguing in the slightest. Now, treble detail retrieval, sound separation, and sound field dimensionality is all above what I’d call average up top as well. Not a technical beast by any estimation, but pretty good. Good for a musicality-first iem. Again, better note bite and crispness than one may think being that the upper treble does have that roll-off past 8k. However, the treble is a good partner to the bass and mids. Not a detriment, not an Achilles heel, and nothing which jumps out to me as “bad” or a hard “con”. 

Timbre

As I said, timbre up top is very close to what I would call natural and may be the most natural region on this set. I think that comes from the solid energy without artificially boosting this range. The Titan X already has some fantastic timbre across the mix, and a lot of the reason why is because of the treble. So often we see these budget sets which freakishly boost the upper ranges in hopes for better technical skills when in reality they usually sound like a mess of sharpness and artificial glare. Timbre is great. Like, the crash of a cymbal sounding very realistic, no splashy trail, nothing smeared, there’s a beginning and distinct end to each note… on most tracks. Or vocals have that relaxed yet vibrant energy to them without any annoying sibilance. The upper register high string plucks of an acoustic guitar are so good too. They have sparkle, they have an air about them with good presence and good body. Also, the way the Titan X handles violins is very nice. Such nice bow textures and those sweet, savory, and silvery harmonic overtones sound so emotive, even enthralling at times. I could keep going, but the point is that the tuning presents timbre in a natural way without any extra coloration, nothing dull. There’s a realistic liveliness present, and nothing oversaturated or fatiguing. Not bad at all. 

Sparkle + Roll-Off= Engaging

As I alluded to, the extension into the upper treble will likely leave a lot to be desired. Especially for those fans of super airy and transparent sounding iems. However, I like what Dunu did here. Also, before I re-explain it, just know that there are other sets with similar tunings. The Titan X is not a unicorn in that regard. It’s just very well done and might be a unicorn for other reasons. Anyways, one thing which surprises me is the amount of sparkle and shimmer and the huge number of tracks which show off the Titan X’s subtle treble note bite and cleanly displayed note edges while also remaining smooth in cadence. There’s nothing choppy up top, nothing disjointed, and the treble transitions very well. However, to have that sparkle along with the good cadent smoothness and flow you have to have a certain lower treble lift and vibrance, just the right amount, along with just the right roll-off. Not too steep, not too early, not too late. So many timbral issues can arise with simple wrong adjustments. Think about it. It’s all about smart driver design, shell synergy, along with real solid tuning experience. These are new shells folks. Dunu has never used these. They had to figure all of this out in new shells, a new driver, and they did it asking only $32 for their iem. It’s a big thing folks. At any rate, the fact that the treble carries that sparkle and isn’t too boosted while also not sounding dull, boring, or drab along with a smooth and easy on the ears presentation… is nice to hear. So, to package that up in a simple formula; lower treble sparkle + gentle roll-off (can) = smoothly energized engagement. Oh, I almost forgot… treble heads… this set is not for you. 

Downsides to the Treble Region 

I think the treble region’s biggest gripes would come from two groups of audio fans. The first group would be those treble heads amongst us. I get thier love for that wonderful treble display, but seriously, good treble under $40 is almost laughable to expect. I hope to hear treble that is bearable and non-fatiguing or not overtly dull and bland. The Titan X is neither of those. However, treble heads (budget treble heads?) are not going to be won over by an 8k roll-off…plain and simple. The next grouping would be those dark treble lovers. I mean those steadfast warm heads who despise any luminosity at all. I can tell you right now that the lower treble lift is going to be a problem. The lack of bass dominance is going to be a problem too. This set is absolutely not for everyone. I couldn’t say this enough and sometimes I want to scream it from the rooftops. Please, do your homework. Do not spend your money on anything that you haven’t spent hours researching, reading, listening, and or watching videos about if $32 is a lot for you to spend. I understand you very well, I’ve been there. But I digress, the treble is good for what it is and solid as a supporting actor. Not an afterthought, and not the star of the show. 

Technicalities 

Soundstage 

I want to say this first; I like the soundstage presentation. However, the soundstage is not some expansive and vast chasm of holographic 3D euphony. Also, it doesn’t need to be. What I enjoy about the Titan X’s soundstage is that it doesn’t do anything necessarily… wrong. Nothing overly narrow, nothing obviously congested, and the stage doesn’t feel like it’s ever a hindrance. I’d say that the stage width is decent. Not super wide. Maybe average? Good but not great. Stay with me because there is a silver lining and it has to get worse before it gets better. Anyways, stage height is not great. I don’t hear levels of vertical layers. Of course, I didn’t expect that either. You might even say below average, I know I would. However, the height also isn’t so compressed that it comes across as smeared, blurry, or out of focus, so that’s good. However, the saving grace of this iem’s stage presentation is its stage depth. The depth of this stage absolutely shows off front to back spatiality creating those near and far layers to my music. I’ll add another wrinkle into this stage. That is, the sound field is somewhat intimate, which means that you really don’t need some expansive stage. Furthermore, there is actually nice sound separation in that intimate stage. So, any of the true pitfalls of a budget intimate and mildly large stage don’t really apply to this set. I suppose I could’ve just said “average intimate stage with good depth” but that’s boring. Not bad Dunu. 

Separation / Imaging 

As far as sound separation, the Dunu Titan X is what I’d call competent for the cost and good for the tuning. It won’t beat out sets which are analytical in nature for sound separation, but the Titan X will definitely give any musicality focused iem a run for its money under $50. Notes have distinct boundaries with adequate spatial recognition, fairly black background, clean resolve, fairly tight transients, and a stage that isn’t overly restricted. Basically, not bad and actually quite good. Imaging on the other hand is great. The center image is locked in place, there’s plenty of side-to-side positioning and front to back the Titan X layers well for a budget single DD. It’s a believable sound field with solid articulation of placement and space, which makes this set a nice one for the cost. 

Detail Retrieval

I’ll put it this way, the Dunu Titan X excels in “macro-detail resolution” with a very clear presentation, crisp leading edges, great surface textures, bold instrument fundamentals, and is able to intelligibly create nicely defined focus in note delivery. I actually enjoy a good musical set with awesome macro-dynamics and macro-details. However, the “micro” details are more average I’d say. Perhaps a hair above what I’d refer to as average, but certainly not exceptional. Of course, I truly would not want or expect this set to be exceptional at resolving the finest of subtleties. Let’s put it this way, micro-detail resolve entirely comes down to a couple caveats with this set. Those are bass presence in a track and what type of genre/track is being played. Without question in slower and more acoustic or simple tracks without bass masking over the melody you’ll hear some very subtle details. More complicated tracks or more bass heavy passages in my music won’t show off those minute details as easily. That forensic style acute and precise detail retrieval won’t typically be found on a musically engaging sound from a budget single DD. Still pretty nice though. 

Comparisons 

CCA Phoenix  ($28-30)

I am actually right in the middle of my review of the CCA Phoenix, but I can already tell you that it is a direct competitor with the Dunu Titan X. I mean… direct. The CCA Phoenix carries a gorgeous all alloy shell, awesomely crafted, housing a single 10 mm LCP dynamic driver and a nice unboxing. Folks, I will explain in my review coming up but I really didn’t want to review this set. I didn’t want to like the Phoenix, at all, as I have too many reviews, too large of a backlog, and also… at first… I wasn’t impressed. This one took some fermenting for this reviewer to see and hear the beauty of it. Add in the fact that it costs so little and you get so much for that small cost. It grew on me, and it grew some more, until I couldn’t turn it away. Which is saying a lot because I turn away much more expensive sets for even lesser reasons. Also, it needs burn-in and tip rolling. Definitely a testament to the newfound CCA branding and their ability to tune such a fine budget caliber iem. Let’s check out some differences with the Titan X. 

Non-Sound Stuff 

Beginning with the unboxing, I find both sets to offer better experiences than you’d typically find in budget iems. However, besides the slew of eartips that Dunu offers, the CCA unboxing is a bit better, better cable, better leather carrying bag than the cloth Titan X carrying bag, and it’s simply more ornate of an experience. As far as build, how could I choose? Both sets are built like they should cost three times the amount. That goes for the design/aesthetic too. How could I choose? I’m torn! I love-love-love the mirror polish design of the Phoenix, so dope. However, after much deliberation with myself I cannot help but give the nod to the Titan X here. It’s just too slick looking. It looks even more premium, simple as that. Both iems cost close to each other although the Titan X is a few dollars more. Though I’m sure those prices will rise and fall in due time. 

Sound Differences 

As far as the sound, both iems are V-shaped, nicely robust in the low-end, and decently balanced dynamically. There are some definite similarities, but I’d most certainly say that one set is a step above the other in my experience. Also, the Phoenix is a few “volume steps” harder to drive, but both are sensitive sets. When it comes to the bass the Titan X is simply better. It has a deeper, more authoritative, and more grippy bass, more dense fundamentals, more textured leading edge, and somehow tighter even with the greater emphasis. The Phoenix is a hint softer on attack. Still fantastic for a budget set, but a hair looser. In the mids the Phoenix has a touch greater lower-mid recession, and it comes across a hair leaner in note body with a better chance for glare in the upper mids. However, the Phoenix is also better detailed, better note separation by a slight degree too. The Titan X is more musical, closer to warm-organic whereas the Phoenix is closer to neutral-natural. Now, the Phoenix’s treble is more sparkly, brighter, more bite, better extension while the Titan X is more reserved with less chance of fatigue. Both sets offer a more musical sound, but the Phoenix is better detail retrieval, overall. Imaging is better on the Titan X by a slight degree with better left to right panning and front to back layering. The stage of the Titan X is better, with better depth, less narrow. Macro-dynamics are more abundant on the Phoenix with more of a tonal contrast and so these two go back and forth a bit. Both sets are fantastic for the cost. 

Final Thoughts On This Comparison 

I really-really like both iems, but for me the better set is the Titan X. It’s simply more refined, better timbre (for me), better bass presentation, slightly better vocals, and less fatiguing to a degree as well. These are very small differences though. I’m telling you, there are days where I listen more to the Phoenix and it hits my fancy even better so again, they go back and forth. You cannot lose with either set. 

Cozoy D1 ($35)

I just reviewed the Cozoy D1 (D1 Review) a week prior to the Titan X as I’ve been on a mission of late to hear the best under $40 iems. I was taken aback at how well the D1 presents the spectrum for such a low cost. Just so you are aware, the D1 presents much more of a problem for the Titan X sonically. Cozoy outfitted the D1 with a single 10 mm Graphene diaphragm dynamic driver which is lightning fast, extremely clean, and persistently vigorous in dynamism. What a fantastic analytically inclined budget iem. Now, this comparison will be lopsided in that each set compliments the other very well. Maybe a better word would be “contrasts” each other very well. What one set excels in… the other isn’t as great, and vice-versa. Basically, these two sets present a perfect “preference battle”. Let’s try to quickly break down those differences. 

Non-Sound Stuff 

Beginning with the unboxing/accessories I find the Titan X is a hair better. That is totally debatable though. I do like the D1’s cable a bit better, but that’s only because it’s this dope electric purple color. Definitely a bold move by Cozoy. However, the Titan X actually has a carrying bag and the D1’s eartips are ridiculously small. Almost laughably small so be prepared to tip roll. As far as build, both sets offer solid construction per their respective build materials, but c’mon, the Titan X clearly has the better build. The alloy beautiful build of the Titan X looks like it should cost twice to three times as much whereas the D1 simply has a nice resin build for its price point. There’s a difference. Again, both sets are right around the exact same price point. You do the math. As far as actual appearance. Totally subjective, but I love them both. At first most people would likely say that the D1 is the better-looking set but after holding them both in your hands it becomes clear that the Titan X is really a very neat looking iem. So different than any other budget iem in its build design, the structure, the angles, and it’s just better. I hate to say that too because I love the look of the D1. Both iems are very easy to drive properly and both scale well. However, you will notice a bigger difference with additional power on the Titan X. How about the sound? 

Sound Differences 

When it comes to sound, I’ll be quick. I say that because these two are so different. For one, the D1 is much more analytically precise, clinically refined, much more detailed, bigger stage, and basically all technicalities (besides depth of stage) will go to the D1. It’s tuned that way. It’s much brighter, more airy, more open, and crisp, with more leading-edge bite. The Titan X is warmer, smoother, more fluid, more rhythmic, much more musically gifted, able to draw the emotion of a song to the forefront. More fun too (in a traditional sense). Having said that, the D1 has a surprising amount of clean musicality to it. Musical in a different form. Though, it’s clear that the Titan X carries the musical distinction much better. 

Between the 20’s 

As far as the bass, the Titan X is much more bullish, weighted, and it has that hard slam while the D1 is faster, sprightlier, better detailed, separated, and more articulate (by a small degree). The Titan X is much more fun in the low-end. The midrange of the Titan X has better note weight, more robust, better for vocalists (both male and female) and it has that harmonious and more symphonic tunefulness to it. The D1 has faster, tighter, and cleaner transients, more vibrant, more vivacious, and simply more transparent. However, it’s also more glaring too (by a very slight margin). The treble is brighter, better extended, much better bite, punch, and crispness on the D1 with better details, and cleaner articulated note contours. The Titan X is more laid-back, easy on the ears, more balanced, less offensive, and is much less of a focus in the treble. Again, technically the D1 wins across the board except for imaging (tied), although the D1 has more distinct imaging, but both have excellent placement. Layering is better front to back on the Titan X. Separation is better on the D1 (much better), and it’s airier, cleaner across the board too. Now, the D1 also has a larger (wider), and much taller stage with better top to bottom layering while the Titan X has a touch better front to back depth of field. Still, the D1 has the more expansive stage. Both sets have a more intimate sound field with the D1 being a hair closer. 

Final Thoughts on this Comparison 

Two totally different birds that make for an awesome comparison session. I love sets which are so different because they make comparing so much easier, and more fun too. This will come down to your preferences. Hence, why I call this a “preference battle”. They oppose each other so starkly that it’s easy to decide which you enjoy more. Do you like musically rendered, bassier, and more melodically pleasing or do you want analytical, detailed, airy, and brilliant? Both are top contenders for best iem under $35 and probably under $50 as well. Two top dogs battling it out, but in the end neither is actually better sounding. They’re just different and equally as refined per their tuning target. Also, don’t even judge from the graph below as it does not represent what I hear in the D1.

Genres

This is the section where I very quickly go through genres which mostly work and go through some genres that don’t work quite as well per the tuning of the iem I’m reviewing. As far as the Titan X is concerned, I really feel that it is a close consideration for that “all-rounder” moniker. Meaning, it’ll fit almost any genre fairly well (at least). Now, I always have to explain that these are very broad strokes that I’m painting with here. These are very generalized thoughts. Almost not helpful at all. Plus, my thoughts here are exactly that, my thoughts. Granted, I listen to all genres of music and even more so in testing. So, I do have a gauge for how this set comes across. Having said that, there are most certainly tracks which won’t sound as great in genres that typically work well for the Titan X. Also, for every worser genre there are always tracks which slay on this set too. So basically, take these words as a simple guide. Don’t take my words as a grain of salt, but don’t take them as gospel either. Again, my thoughts. Once more, this is almost not helpful to you at all, especially if you hear different from me, if you desire different signatures, or if you desire different tunings per each genre that I list. Okay, maybe take it for a grain of salt.

Genres Which Work 

This set has no glaring weaknesses except for a small lack of treble extension which means it is a near all-rounder. I’ll give you a handful of examples of genres which are flat-out awesome on this set. I’ll start with any kind of Rock music. Alternative, Classic Rock, any Indie stuff usually comes across great too. Drums have punch, guitars have body and texture, vocals sound clear and forward. Also, I adore Jazz and Blues stuff with the Titan X too. That crisp snap of a brushed drum and vocals can sound downright sexy at times. Think Billie Holiday and Ella Fitzgerald with their poignant and effortless vocal prowess. Electronic music works well with that hard, deep, and defined sub-bass, no mid-bass mud, and clean melodic rhythm. I love Country music on this set and any Folks stuff too. Any Singer-Songwriter music typically sounds very harmonious and emotionally engaging. Then you have genres like Hip-Hop, Rap, R&B, and even some EDM as well which do fantastic on this set. Some Metal is pretty awesome too but there are some issues there. Also, Classical music is a hit or miss as well. There’s more which work, but I’ll stop there. 

Less Great Genres

Now, the less awesome genres were actually difficult for me to admit. I was so focused on this set being an all-rounder that I almost went into my note taking with some bias. However, I cleansed my palate with the SoftEars Studio 4 and realigned my thoughts. So, the first genres which won’t always work as well is actually Classical music. Yes, I said some Classical is great, but I do find that the limited soundstage has a negative effect on my sessions. Especially the limited height. Also, I could use better micro-detail retrieval at times as well. I also said that some Metal was nice, but I have to say that some extreme tracks do fall short as the treble doesn’t really have enough speed and separation to cleanly replay some tracks. The last “less great” genre would be those super bassy EDM, Rap, and Dubstep style tracks which bass-bois will probably find the bass a bit lacking. I know how I like to hear my EDM and those heavy bass drops and the Titan X gets me close, but not to the point that I’d say it is great for those genres. Basically, any genre or track which requires ultra bass, scalpel-like precision, ultimate speed, loads of extension up top, and great detail dissection won’t really sound as perfect. The soundstage limits this set a bit, and the bass isn’t basshead worthy. I hope this helps.

Last Words on the Dunu Titan X 

I have been so pleased with the Titan X and have been very impressed by what I see, by what I feel, and by what I hear. It may not be a perfect all-rounder sonically (very close though), but the Titan X is absolutely a budget all-rounder in that it is packaged well, it’s built well, looks dope, is super unique, great price-to-performance, and it sounds really-really good. A true all-rounder in that regard. Dunu has shown their metal folks. I’m not talking about the Titan X’s shells either, I’m talking about the resolve and integrity of the Dunu brand. I go deep in these reviews’ folks, and I really try to help those who are seeking out good purchases. Dunu has shown a willingness to bet on themselves, go all out, and try to create a true champion in the budget space. 

No Compromise 

The bottom line is this; Dunu didn’t accept any budget related compromises and rejected the standard fare budget complacency of simply rolling out another set that will blindly be purchased by consumers who don’t have the money to reach higher. Dunu actually went all out folks. Typically, a brand going “all-out” would revolve around the high end iems, but Dunu went a different route and decided that they’d do so in the budget realm. It’s obvious that Dunu decided that compromises in quality, sound fidelity, and any compromises on the integrity or efficacy behind their name is something they simply weren’t going to tolerate. By the way, nobody told me this. Nobody from Dunu gave me these words, these are my words. These words are my overly romantic thoughts on life and the things that I’m interested in coming out for this review. The fan in me. Still, I don’t think I’m wrong. I couldn’t be. Look at this set friends! Every way you turn the Titan X, every angle you look at them, listen to them, the unboxing, the build, everything about the Titan X rolled into a ball rounds up to a budget set which punches above their price. It takes all of me to let those words out in a review. I flat-out don’t do it. Those are sacred words for “some” reviewers. “Punch above its price” should be relegated to the exceptional per price category. To me, Dunu has created that in the Titan X. I’m sure there will be some set which comes along and bests the Titan X, and I’m sure it will be great and render my words as false. Soon enough. Be that as it may, right now, standing alone within the ocean of budget iems littering our group posts, threads, YouTube videos, and Facebook walls is a pretty nice iem… its name is the Dunu Titan X. 

Not Everyone’s First Choice 

Of course, for every 10 who love the Titan X there will be one or two who aren’t impressed. Those are the folks who cannot help but pee on everyone’s parade on those nasty Reddit threads. Lol. Seriously though, as nice as this set is, it simply won’t fit everyone’s ideals. We are all so different folks. I love that about our awesome hobby. It’s what makes this fun. What I enjoy, you might not. In fact, it is completely true that I’ve decided not to review so many products that were praised to the stars. I didn’t like them. How wild is it that we can be so opposed to each other’s taste? So, I don’t expect for you all to agree with me and I certainly don’t feel that I’m some iem guru with golden ears. I am like you, a fan, a lover of music, and I love finding the perfect vehicles to drive that music, for me. Well, in the budget “under $35” space, that set is definitely the Dunu Titan X, for now. If you haven’t already figured, I most certainly rec this set and feel it’s worth every penny of the $32 it takes to own them. 

Conclusion 

Before I conclude my full review and feature of the Dunu Titan X, I first have to thank HiFiGo for providing this set. I thank them for being patient with me, for not hounding me, and for being extremely helpful too. It’s fairly well known that I like taking a very long time with review units. I don’t do the “listen for two days and review” stuff like 98% of reviewers. In truth, I need weeks, at least. By the way, if you are a reviewer or brand reading this, do yourself, the brand, and the consumer a favor and forget about being the first one to review a set. Brands should want reviewers to spend longer with their products. It’s true that over time we adjust to the product. Don’t try to get your review out first, farming for clicks and views, stop that. Have some integrity. Take the time needed to understand a product. People are going to spend their money on these products. This is why I need to fully develop my thoughts, and I don’t publish until I know what I’m saying. But I heavily digress, anyways, I cannot thank HiFiGo enough for giving me that respect. So, thank you. Also, I have to thank you for reading this review and clicking the link to get here. Mobileaudiophile.com thanks you too. Every click helps and every minute you spend here helps tremendously. We are trying to get better every day and cannot do that without you. Thank you. 

Other perspectives 

Now that you’ve read this review I hope you will click some more links and check out other reviews of the Dunu Titan X. Once again, this is such a subjective and personal hobby. No two people are exactly alike. We all have different tastes, different likes and dislikes, different gear, different music libraries, and we all haven’t been down the same journey through audio. So I do hope you take the time to read other thoughts. There are so many amazing reviewers who also want to help and may make it easier for you to find where you want to spend your hard earned money. With that, I’m done! I hope each of you are doing well and good. Take care, stay as safe as possible and always… God Bless!

TITAN X PROS

-Great budget range build (made entirely of CNC carved Zinc Alloy) 

-Seriously slick looking minimalist build

-Great unboxing for a $32 iem. Far better than I would’ve thought

-Very much ergonomic 

-Nice dynamic balance across the mix, very musical, without obscuring details

-Nice timbre too. Close to organic

-Bass hits very deep, hits hard, maintains control

-Midrange is nice for vocalists with solid macro-dynamics, very smooth, very engaging 

-Non-Offensive treble which has sparkle without the sharpness 

-Imaging is really nice for a budget iem

-Great sound field depth 

-Price-to-performance. Simply a fantastic value. Maybe the best value under $35 for some folks

TITAN X Cons 

-Technically, the Titan X is only average to good. Certainly not a technical beast

-Soundstage isn’t the widest and the height of stage leaves a bit to be desired 

-The upper-mids can come across shouty in the right tracks. Especially if your source leans brighter

-The treble extension is limited with a somewhat early roll-off and so some of that nice air and openness is absent

-Not for true blue bassheads 

-Again, you need to watch out for brighter sources with this set. Unless you like a sharper and more glaring upper mid