INTRODUCTION:
The Hidizs MY LIN is the successor to the existing MS2 Pro which I have reviewed in the past. This does carry the same configuration (1 DD + 1 BA) in its shell but now with a revamped sound profile. The DNA still got that same character of being V shaped in nature displaying strong bass response, mellow mid-section but the change is evidently seen in its treble profile. Now it sounds calmer and smoother. The change does give this variant an edge in note smoothness, yet this feels a bit congested compared to its predecessor. In this review, let’s dive in detail discussing its position against its predecessor and competitors.
Table Of Content
HIDIZS MY LIN SPECIFICATIONS:
Driver Configuration: 1 Dynamic Driver + 1 Balanced Armature
Dynamic Driver: 10.2 mm dual-cavity dynamic driver
Balanced Armature: Custom Silvercore™ BA driver
Impedance: 17 Ω
Sensitivity: 111 dB
Frequency Response: 20 Hz – 40 kHz
Cable: Detachable 2-pin 0.78 mm (options may vary)
Shell Material: ZA12 zinc-alloy shell
Faceplate: Carbon fiber faceplate Connector: 2-pin 0.78 mm
DISCLAIMER:
This unit was provided to me by Hidizs Officials as a part of review tour (India) to share my honest opinion. The views are based on my observations and sources hence it might vary from person to person.
HIDIZS MY LIN SOUND ANALYSIS:
Signature: V Shaped
Tone and Timbre: Warm
BASS PROFILE:
The MS2 Pro is known for its big bass presence and no surprise the MY LIN got it too. The mid bass takes the front stage with noticeable sub bass drops which in general has less attention. Warmth is appreciated throughout its presentation and that gives enough fullness and weighty texture to it. MY LIN shows a meaty bass with moderate speed and decay. This quality eventually gives this unit a bouncy bass response. The roll off in sub bass section is noticed here despite the warmth and weight it carries forward. This might be a con for those who seeks for the juicy sub bass drops.
Overall, I find it to be a low end with rich weight, warmth and impact but the moderate speed makes it slightly congested in busy tracks. Bass heads will love this meaty bass presence but those subtle sub bass drops often get masked by the bigger mid-bass impact.
My LIN bass goes well for vocals and acoustic guitars but shows its weakness when the electronic music kicks in. Now it all comes down to one’s specific need in the bass section.
MID-SECTION:
MY LIN shows a pushed back mid-section with warmer tone. The laid-back nature gives a sense of mellow feel to the presentation, that relaxes the one who’s listening. Lower mid profile keeps the warmth and makes them sound full and bodied. The upper mid got decent lift to display some vibrancy to the percussion instruments.
In general, the mid-section looks promising with mellow texture and relaxed feel yet the problem lies in its tone and timbre. It’s coloured for sure and this brings me to another important aspect, the TIMBRE. The BA presence does give this a metallic taste to it and that’s seen clearly in its portrayal of percussion and stringed instruments. Additionally, the layering seems to be off due to lack of stage depth.
The poor layering appears as a side-grade since the OG MS2 Pro didn’t suffer from this. The average layering affects the note placement and this eventually leads a congested presentation. In general, this is appreciated specifically when the complex tracks are played out.
Overall, if one wants a fuller sounding mid-section with controlled upper mid lift in laid-back profile without caring much about technical aspect, then this is the one!
TREBLE:
Compared to its predecessor, MY LIN got a more mature sounding treble profile. Now, this sounds more smoother with less harshness in the upper end. Despite the smoothness, the notes still have enough bite to create the dynamism. Despite its smoother nature, the brightness leans on average side, leading to less shimmer on the upper end. The sibilance is well under control, displaying no sharp edges whatsoever. Stringed instruments and trumpets have good attack with moderate speed and decay.
Overall, the treble sounds more refined and controlled than its predecessor. The change still retains the bite and attack without compromising on the smooth elevation.
TECHNICALITIES:
STAGING: MY Lin represents an intimate stage presence. There’s decent width to span the notes from the extreme right to left. The depth on another notes noticeably feels lacking and this affects the layering and imaging of the presentation.
IMAGING AND LAYERING: A side-grade to its predecessor in this aspect. The limited stage depth led to average layering. The notes feel clustered out especially in the complex tracks. At this price, competitors don’t make this mistake, especially in this segment.
DETAIL RETRIEVAL: This lines on the average side and is the same case with its predecessor. Extracts the essential nuances to add up the beauty to the presentation and nothing more than that can be expected.
TONE AND TIMBRE: Considering its signature there’s no surprise that this has a warm tonality. This complements the fun character of MY LIN but the deviation from the neutrality seems obvious. This big line of deviation affects the natural tone.
VERDICT:
Hidizs MY Lin, the successor to the MS2 Pro comes with the same configuration of 1DD and 1BA yet has a slight shift in its overall sonic output. As a change, the treble now sounds more mature with no sharp edges to the notes. On the flip side, the layering is down regulated with narrow stage, causing congestion during complex track replay. In conclusion, I would still pick its predecessor over this because this is just a TRADE-OFF UPGRADE.
POSITIVES AND NEGATIVES:
Pros:
- Mild V Curve with Warmer Tonality
- Impactful Mid-Bass Profile
- Lush Mid-Section and Smoother Treble
- Build
Cons:
- Average Layering and Staging
- Subtle Sub-Bass Section
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