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Home In-Ear Earphones / IEMs

Review: BQEYZ Wind – Premium Winds

Mahir Efe Falay by Mahir Efe Falay
18 October 2023
in In-Ear Earphones / IEMs
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Review: BQEYZ Wind – Premium Winds
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BQEYZ Wind – Premium Winds

Diving into the world of BQEYZ Wind, I found a symphony of design and sound precision. From the style to the sound, every part shows a careful touch. There is more to the Wind than just music. It creates a lively sound scene by effortlessly moving between soft breezes and strong rhythms. Let me show you the fascinating sound worlds inside BQEYZ Wind. This will be a journey filled with acoustic brilliance and artistry.

Box, Contents, Wind and the Cable

The box is made of the purple tone that BQEYZ holds, with whitening to support the WIND name.It welcomes you with minimal aesthetics. There is simplicity in this, another element that represents the brand’s commitment to nature from the very beginning.

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Although I was impressed by everything that came in the box (instruction manual, carrying case, 3 sets of replaceable eartips, detachable audio cable), the wet stamp that indicated it had been subjected to a thorough quality control process stood out to me most because it addressed a common complaint in the Chifi community: poor quality control. Recently, I started to see the same thing in other brands, and it makes me feel safe and sound.

If we look at the concrete features of the IEM, I see that it has rounded lines and plenty of ventilation opportunities. These possibilities were specific to the TOTL level but started to reach more achievable levels with the i3pro. There is even a ventilation grill cover waiting inside the drivers, as if saying “Open me”. Unlike Wind, he used BC for the bass. This is another good point, as Wind gives them a chance to breathe both in its name and pragmatically.

BQEYZ Wind Sound

Its timbre is surprisingly dark (coming from its neutrality), but the presentation is rich and the audible musical projection is wide. Especially in live recordings, the whole feeling of space is unique. Especially if the track is from the hardcore genre, the drums make you feel their beats. Layering is not great, and although it is not like a monitor with reference eartips, it is not bad. I did not encounter any sibilance. The texturing is flawless. The artist I listen to can fully tell the story of the song with the tone of his voice.

Bass

I do not think there is any need for dubstep because the sound production is what I would call “solid.” It is really amazing, particularly if you begin by turning the volume up to its highest setting. In spite of the fact that it has Dx 320 and H gain, it amplifies the sound:) I can literally feel the hits of the bass in my chest. In Blind Guardian, one of the power metal classics, it not only makes the strings in the lowest layer heard, but also the bass never flows to other frequencies in the song that starts afterwards. This is in contrast to dubstep, which prevents the bass from bleeding to other frequencies. I guess the BC driver set for low end frequencies is making all the difference.

Midrange

Wind’s neutral character shows itself here too, making the sound I hear exactly as the song’s mix wants. But with all those vents, the mids couldn’t be light anyway. Otherwise, it wouldn’t be worth the price, but the BQEYZ brand is known for items that beat their price equivalents. I hear a sound performance that is full-bodied, but allows the upper mids to roam freely. Thanks to Ayreon, all the faces of the mids can be seen in Arjen’s works. As they say, 50 shades of mids. It’s all here. But I also hear that in Nightwish’s recordings, which are not very good, all the metal and symphony elements are stuck together. And I bow in awe to the song Idioteque from Kid A, which is considered a classic. It is a masterstroke to create a new structure by disrupting the elements of the song in this way. One of the factors that made Dire Strait a legend is that Knopfler successfully reflects country rock instruments with his +40 male vocals. And Wind is solely responsible for making all this known to me.

Treble

The spectrum of sounds I can perceive is vast. The high pitches, the trebles, have their own distinct spot at the extreme right and left in my hearing with the help of Wind. They’re subtle and harmonious, mingling seamlessly with other notes. This layout, more than just ensuring harmony, enhances how I engage with music. It introduces a novelty to the listening experience, especially with intricate genres like prog rock. The depth and nuances in such tunes become more pronounced, making me appreciate music even more deeply.

Frequency Graph of BQEYZ Wind. However, midrange isn’t that aggravated, and treble wise not weirdly rolled off.

Comparisons__

vs Winter

The atmosphere is endless in Wind. It’s in my ears the way it is in relatively calm bands like Midlake. The range of instruments is surprisingly wide. The tone is neutral to bright. Bass hits again depend on the recording. Winter, on the other hand, is half a click harder, and the mids are at the front and the layering is at the back. Likewise, in texture. Even in Midlake Roscoe, I could not hear the nuances in Winter that I heard in Wind. In this respect, it is a step behind Wind in terms of naturalness and is completely crispy in drum and bass, let alone the Dire Straits band. Additionally, all playback is performed further forward and in a narrower area than Wind.

vs Winter Ultra

Winter Ultra is similar to its father, Winter, in terms of hardness, lack of attention to micro details, and tonality, but is completely different from Wind. But we should not take credit for it, even though Winter Ultra plays first; it slightly resembles Wind in terms of layering. Never the less, the bass guitar can often be heard in the background. It is also close to Wind in terms of clarity. But in terms of stage projection, Wind is clearly good.

BQEYZ Wind Review Conclusions

In the end, it’s amazing how sounds, especially high-pitched ones like trebles, make music richer. When I listen to music, especially complex ones like prog rock, these high sounds seem to dance around me. They don’t just stay in one place but spread out, making the music feel wide and full of life. This special arrangement, or what people call a “wide presentation feature,” helps every part of the music shine. It’s like this feature allows every detail in the music to tell its own story, making me appreciate and love the music even more. Kudos to BQEYZ

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