Kiwi Ears Division is a closed-back over-ear headphone designed for studio use, with a focus on technical accuracy and revealing mix details. In my initial impressions, it showed promising performance in terms of instrument separation and soundstage positioning. It seems like a solid option for detail-focused music listeners and those seeking a reference headphone for production work.
Unboxing Kiwi Ears Division
The Division comes in simple yet professional packaging. Inside the box, you’ll find the headphones, a 2m detachable cable, 1.2m cable with mic, and 6.5mm adapter.. Despite its closed-back design, the Division feels surprisingly lightweight and well-balanced right out of the box.
Technical Specifications
Model
Kiwi Ears Division
Driver Unit
40mm
Impedance
32 Ohm
Sensitivity
98dB+/-3dB
Frequency Response
20Hz to 20KHz
Plug
3.5mm+6.35mm(1/4 inch) adaptor /3.5mm
Sound Technical Details
The Division demonstrates a precise and revealing sound signature, adapting its character depending on the recording quality. It performs particularly well in terms of soundstage width and instrument positioning. The level of detail makes it easy to pinpoint the placement of individual instruments, which becomes even more apparent with high-resolution sources. Layers within the mix reveal naturally, exposing hidden details in well-mastered recordings.
Performance and Listening Experience of Kiwi Ears Division
Division is a closed-back over-ear headphone designed for studio use, with a focus on technical accuracy and revealing mix details. In my initial impressions, it showed promising performance in terms of instrument separation and soundstage positioning. It seems like a solid option for detail-focused music listeners and those seeking a reference headphone for production work.
Bass
The bass is tight and controlled. When paired with the iBasso Dx90, the low frequencies become even more impactful and well-defined. In Pinetop Boogie, the rock’n roll drum rhythm remains clear and distinct despite the soft playback style. With higher-resolution sources, the bass guitar’s presence becomes more prominent, revealing subtle textures and depth in the lower frequencies.
Midrange
The Division’s mids are natural and clean. Vocals are upfront yet never excessively bright or harsh. In Leonard Cohen – Nightingale, multiple vocal layers blend beautifully with the wide-stage presence of folk instruments, creating an immersive experience. However, in busier mixes, the mids can sometimes feel slightly recessed.
Treble
The treble is balanced and natural. In Duwadjuwandadu, cymbal resonances and metallic surface textures stand out clearly. Despite their presence, the treble never becomes piercing or fatiguing, even at higher volumes.
Cayin n8ii Impressions
The track is Toto – Africa once again. From the very first moment, the Division convinces me that it’s truly “in its max.” It sounds incredibly natural, realistic, and detailed. The synth highs are never harsh or fatiguing, leaving me wishing it were an open-back headphone.
Pros / Cons
Pros
• Detailed and precise sound performance
• Tight and controlled bass
• Clear instrument separation and spacious soundstage
• Suitable for studio and reference listening
Cons
• Limited synergy with some sources (as experienced with the Snowsky Echo Mini)
• Mids may feel slightly recessed in complex tracks
Conclusion of Kiwi Ears Division Review
The Kiwi Ears Division stands out with its studio-oriented design and reference sound signature. It’s an appealing option for detail enthusiasts and listeners who focus on mix analysis. When paired with the right source and high-quality recordings, its performance is impressive, delivering a balanced and engaging listening experience.
