Before I begin, I feel obligated to state that all of the following are my opinions, and neither I nor mobileaudiophile.com are linked with any of the parties mentioned in this TriVS of 3 planar iems. 7Hz Timeless vs Shuoer S12 va Tin Hifi p1 MAX
The number of planar iems is growing. In addition to their past releases, 7Hz is getting ready to release another iem, while TanZu is getting ready to present us with budget and planar iems. This is a little TriVs that works around 7Hz. Timeless, the Shuoer S12, and the Tin Hifi p1 MAX are the three names. Their initials are going to be T, S, and P. My source is dx300, Neutron and L gain.
The presentation style of the T is less conventional than that of the P and S. You are the only person S wants to present to, and you are already several feet ahead of P. And the basses in T are the least capable of producing sub bass, in addition to not being as hefty as the basses in M. On the other hand, T beats P in the softer and higher notes, like the glockenspiel in Tubular Bells. P had the greatest quantity of trebles overall, but the quality of those trebles was not the best. S and T are equal in this manner.
The live on stage clarity of T is two notches higher than that of P, and T also has better bass resolution than P does. On the other hand, the bass smart S is the one who gets the final say. In spite of the fact that the other members of the group are not skilled bass pumpers, S controls both the sub bass and the underlying bass. In the background, you can hear the ringing of a telephone, and the results that T and P are producing are quite similar to one another. S is quite good at supplying background information that isn’t needed just doing things such as emitting an audible short ring of the telephone, which was typical in the 1970s. Nevertheless, I find it difficult to argue with the fact that T is sharper than M. S occupies the exact center position.
Its edgy features at violin instruments give it a big increase in musicality, and those traits are what fuel the T’s mids. And possesses a significant benefit over M. T stands to gain from it, provided that S does not enter the scene. You are currently hearing the term “refined” in this context. It is almost as though the instruments are dancing around each other in a tango-like dynamic swirl, like a man and a woman might do if they were dancing together. When I listen to Gardel’s Tango – Por Una Cabeza, I can’t help but get a shiver down my spine every time.
My job involves every element of the truth, and as a result, when I listen to music, I like to hear it in its natural state, as if I were listening to the original record while using Etymotic ER4 headphones. This is the way I experience music. Because of this, in my personal life I almost worship live recordings that were made in one shot with a single microphone. They are a demonstration of the artist’s virtuosity or the great mastery that they have of the instrument that they play. To summarize, Jazz at the Pawnshop album is a mecca for my quest..
In regard to our TriVS of 3 planar iems, however, S is a single shell that is created by combining T and P into a single body.
