Today, I would like to share my review of BQEYZ’s latest IEM model, the CLOUD. I tested this earphone across a wide range of music genres, and it offers various features in terms of sound quality and performance. I will start with the technical details and then provide a general evaluation based on my personal experiences, listing the pros and cons.
Disclaimer: BQEYZ Cloud is handed over to me as the AG Turkey tour. I’d like to present my heartfelt thanks to BQEYZ and AG
IMPEDANCE: 32Ω
SENSITIVITY: 110dB
FREQUENCY RESPONSE: 7Hz – 40KHz
CABLE LENGTH: 1.2M
PIN TYPE: 0.78mm 2-PIN CONNECTOR
PLUG TYPE: 2.5mm, 3.5mm, 4.4mm
DRIVER UNIT(S): 1 DYNAMIC DRIVER + 1 PASSIVE RADIATOR
BQEYZ Cloud Sound Characteristics__
The BQEYZ CLOUD stands out with its notable extensions, offering a realistic sound experience with a dark background. It’s nimble and transparent, delivering music playback without changing the song’s essence. The CLOUD is great at separating sounds, which is important for complex music passages. It can reach deep sub-bass levels and provides impactful bass effects without delay. The bass guitar solos are rich, and it offers a strong and clear effect in electronic bass, similar to higher-end IEMs. The treble might sound a bit light to some, but it still maintains good resolution. In symphonic rock, it has slight issues with dynamics but handles tonal changes and complex passages in progressive rock well. The wide soundstage feels immersive, reproducing the spatial aspects of music well, making it feel like the sound surrounds me.
Bass
The bass guitars truly come alive with the BQEYZ CLOUD! This IEM carefully captures and delivers the bass, ensuring that no playback feels lacking or empty, especially when the treble and midrange are already performing well. The bass fills my entire auditory field in most songs, providing a full-bodied sound experience. It can be felt subtly depending on the mastering, and in Hip-Hop, it offers a satisfying punch. The bass is well-controlled and doesn’t bleed into other frequencies, thanks to its precise tuning. This ensures that the bass is impactful yet never overwhelming, maintaining clarity across the spectrum.
Midrange
The midrange performance of the CLOUD is equally impressive. Piano keys and their resonances sound realistic even at fast tempos like 154 BPM. Pinetop Perkins’ rock’n roll and blues-infused “Pinetop Boogie Wogie” shines with a lively and engaging sound. The transparency of the midrange allows me to distinguish band members accompanying the vocals in most songs. The CLOUD excels in creating an immersive atmosphere, particularly with organic music. Wooden-cased instruments, especially strings, sound delightful and rich. It’s gratifying to see that one of the best features of its predecessor, the WIND, is present in the CLOUD as well. In many tracks, the vocals are prominent, making the vocalist feel almost physically present, especially in hip-hop. The long guitar solos have a groovy effect that is captivating. The Revivalists’ music benefits greatly from this, and the CLOUD handles metal music within the midrange beautifully, ensuring no part is irritating.
Treble
The treble performance of the CLOUD is gentle, unlike the typical chi-fi approach. This is partly because it doesn’t approach the driver’s airiness in the same way as models like the Oriveti OD200. The treble resolution is good for its price segment, providing detailed and clear high frequencies. Percussion instruments sound delightful, with successful extensions adding to the overall experience. The treble is sweet in genres like gospel, providing a pleasant listening experience. However, in less refined genres like garage rock, the treble can sometimes be a bit harsh. Despite this, the CLOUD manages to balance its treble well, ensuring a satisfying and versatile listening experience across various genres.
Summary
The bass performance can reach deep sub-bass levels and offers effective bass effects. In electronic bass, it delivers a strong and clear performance comparable to higher-priced IEMs. However, the treble might sound a bit light to some ears. In terms of dynamics, it struggles a bit with symphonic rock but manages tonal changes and complex passages in progressive rock well. It provides a wide soundstage, making you feel like the music is surrounding you.
The mid frequencies are clear and defined; vocals are not recessed and capture harmonics well. It reveals the textures and nuances in trained voices, making it quite suitable for classical music. It provides meticulous and detailed playback for instruments like the zither. In complex compositions, it separates instruments clearly without mixing them. With these features, the BQEYZ CLOUD is an excellent choice for those seeking a detailed and satisfying listening experience across various music genres.
Comparisons__
BQEYZ CLOUD vs. Simgot EM6L
The BQEYZ CLOUD and Simgot EM6L serves to different preferences in sound. The CLOUD with its deep and impactful bass, clear midrange, and immersive soundstage, making it suitable for a variety of music genres, from hip-hop to classical. It provides a well-balanced listening experience with good sound separation and resolution, especially in the midrange and treble. The bass is particularly impressive, offering depth and control without bleeding into other frequencies.
On the other hand, the Simgot EM6L might appeal more to those who prefer a brighter sound signature. It offers detailed highs and a more pronounced treble, which can be beneficial for genres that require a lot of detail in the upper frequencies, such as classical and jazz. However, this can sometimes result in a slightly harsher sound in more aggressive genres like rock or electronic. The EM6L may not provide the same level of bass depth and impact as the CLOUD, but it excels in delivering a clear and airy sound with good instrument separation.
BQEYZ CLOUD vs. Kiwi Ears Quartet
When comparing the BQEYZ CLOUD with the Kiwi Ears Quartet , it’s clear that both have their unique strengths. The CLOUD is versatile across a wide range of genres, providing a well-rounded sound with deep bass, clear mids, and good treble resolution. It excels in creating an immersive soundstage and handling complex musical passages with ease. The midrange is transparent and allows for a detailed representation of vocals and instruments, making it ideal for genres like rock and acoustic music.
The Kiwi Ears Quartet, however, stands out with its emphasis on musicality and warmth. It provides a rich, warm sound that is particularly pleasing for genres like jazz, blues, and vocal-centric music. The Quatet’s bass is more rounded and less aggressive compared to the CLOUD, focusing on smooth transitions and a cohesive sound. Its midrange is lush and inviting, making it a great choice for listeners who prioritize a natural and engaging listening experience. While it may not have the same level of clarity and separation as the CLOUD, the Quartet offers a more relaxed and musical sound signature.
BQEYZ CLOUD vs. Tanchjim Kara
Comparing the BQEYZ CLOUD with the Tanchjim Kara highlights different aspects of sound preference. The CLOUD offers a balanced sound profile with deep bass, clear midrange, and detailed treble. Its ability to create an immersive listening experience with a wide soundstage makes it suitable for various genres. The bass is well-controlled and impactful, making it a great choice for listeners who enjoy a robust low end without sacrificing mid and high-frequency clarity.
The Tanchjim Kara, on the other hand, means precision and analytical sound. It provides a very detailed and accurate reproduction of music, which is ideal for critical listening and genres that demand high resolution, such as classical and instrumental music. The Kara’s treble is particularly noteworthy, offering crisp and clear highs that bring out the finer details in recordings. However, this precision can sometimes come at the expense of warmth and musicality, which the CLOUD delivers more effectively. The Kara might feel a bit sterile to those who prefer a richer, more engaging sound, but it is an excellent choice for those who prioritize detail and accuracy.
Pros_
– Impressive bass performance: Deep sub-bass, impactful bass effects, well-controlled without bleeding into other frequencies.
– Realistic midrange: Clear and defined mid frequencies, transparent, excellent for distinguishing band members and accompanying vocals.
– Wide soundstage: Creates an immersive listening experience, making music feel like it surrounds the listener.
– Good resolution in treble: Detailed and clear high frequencies, especially in percussion instruments.
– Effective sound separation: Crucial for complex music passages, maintains clarity across the spectrum.
– Rich and engaging sound for organic music: Particularly with wooden-cased instruments and strings.
– Versatile across genres: Handles a wide range of music from hip-hop to classical to metal.
– Comfortable design: Suitable for long listening sessions without causing fatigue.
Cons_
– Treble can be light: Might sound a bit light to some ears, especially in symphonic rock.
– Dynamics in symphonic rock: Slight struggles with dynamics in this genre.
– Harsh treble in certain genres: Can be harsh in less refined genres like garage rock.
– Not the best for extremely fast-paced music: While generally good, might not excel in very fast-paced, complex tracks.
BQEYZ Cloud Review Conclusion
The BQEYZ CLOUD delivers a detailed and satisfying listening experience across different music genres. Its bass performance can reach deep sub-bass levels and offers impactful bass effects, the midrange is clear and defined, and the treble generally provides good resolution. However, the treble might feel light in some music genres, and there can be slight struggles with dynamics. This earphone could be a good choice for those looking for high performance across a broad range of music at 100-200 usd range. Based on my experiences, I hope my evaluation of the CLOUD’s pros and cons helps you make an informed decision.
