Mobileaudiophile

KZ VXS (Gojiโ€™s Take)

Greetings! ๐Ÿ’จ๐Ÿฆ– This is a review of the KZ VXS, which KZ Official Store (through Tyvan Lam) have provided me to review.

DISCLAIMER: I WAS PROVIDED THE UNIT IN EXCHANGE FOR A NO-FRILLS, UNBIASED REVIEW. I AM NEITHER PAID NOR COMMISSIONED TO PROVIDE A SKEWED REVIEW.

Video Review here: https://youtu.be/HNcWA69K6lM

๐™๐™š๐™˜๐™๐™ฃ๐™ž๐™˜๐™–๐™ก ๐™Ž๐™ฅ๐™š๐™˜๐™ž๐™›๐™ž๐™˜๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™จ
Driver used: Dynamic Driver (1)
Bluetooth Version: 5.2
Bluetooth Chip: QCC3040
Earphones battery life: About 5 hours
Earphones battery capacity: 35mAh
Charging case battery capacity: 400mAh
Charges in the charging case: About 4 times
Charging port: Type-C
Transmission distance: about 15 meters

๐˜ฝ๐™ช๐™ž๐™ก๐™™ ๐™Œ๐™ช๐™–๐™ก๐™ž๐™ฉ๐™ฎ + ๐˜พ๐™ค๐™ฃ๐™ฃ๐™š๐™˜๐™ฉ๐™ž๐™ซ๐™ž๐™ฉ๐™ฎ
โƒ Case is made out of pure matte plastic, feels lightweight yet durable
โƒ Has an average tactile feel: doesnโ€™t feel cheap yet doesnโ€™t feel expensive
โƒ IEM is 30% metal and 70% plastic: some parts of the faceplate and the entire nozzle is metal, the rest is plastic
โƒ Feels good on the ear, doesnโ€™t bother at all when its in place
โƒ Connects to a device like a dream, everything is snappy and to the touch
โƒ Touch response on the faceplate is great too, with minimal latency between input and response in any device
โƒ Latency in gaming is brilliant, almost sounds like a wired device due to its extremely low delay
โƒ Best TWS I currently have in terms of connectivity and latency

๐™Ž๐™ค๐™ช๐™ฃ๐™™
๐— ๐—จ๐—ฆ๐—œ๐—– ๐—จ๐—ฆ๐—˜๐——: (๐˜ข๐˜ญ๐˜ญ ๐˜ง๐˜ช๐˜ญ๐˜ฆ๐˜ด ๐˜ข๐˜ณ๐˜ฆ ๐˜ฐ๐˜ฏ ๐˜ข ๐˜๐˜“๐˜ˆ๐˜Š ๐˜ง๐˜ฐ๐˜ณ๐˜ฎ๐˜ข๐˜ต, ๐˜ฆ๐˜ช๐˜ต๐˜ฉ๐˜ฆ๐˜ณ 24๐˜ฃ๐˜ช๐˜ต/48๐˜ฌ๐˜๐˜ป ๐˜ฐ๐˜ณ 24๐˜ฃ๐˜ช๐˜ต/96๐˜ฌ๐˜๐˜ป)
๐˜‹๐˜ข๐˜ง๐˜ต ๐˜—๐˜ถ๐˜ฏ๐˜ฌ โ€“ ๐˜™๐˜ข๐˜ฏ๐˜ฅ๐˜ฐ๐˜ฎ ๐˜ˆ๐˜ค๐˜ค๐˜ฆ๐˜ด๐˜ด ๐˜”๐˜ฆ๐˜ฎ๐˜ฐ๐˜ณ๐˜ช๐˜ฆ๐˜ด (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜‹๐˜ถ๐˜ข ๐˜“๐˜ช๐˜ฑ๐˜ข -๐˜๐˜ถ๐˜ต๐˜ถ๐˜ณ๐˜ฆ ๐˜•๐˜ฐ๐˜ด๐˜ต๐˜ข๐˜ญ๐˜จ๐˜ช๐˜ข (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜›๐˜ธ๐˜ช๐˜ค๐˜ฆ โ€“ ๐˜”๐˜ฐ๐˜ณ๐˜ฆ & ๐˜”๐˜ฐ๐˜ณ๐˜ฆ (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜›๐˜ธ๐˜ช๐˜ค๐˜ฆ โ€“ ๐˜Œ๐˜บ๐˜ฆ๐˜ด ๐˜ž๐˜ช๐˜ฅ๐˜ฆ ๐˜–๐˜ฑ๐˜ฆ๐˜ฏ (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜”๐˜ช๐˜ค๐˜ฉ๐˜ข๐˜ฆ๐˜ญ ๐˜‘๐˜ข๐˜ค๐˜ฌ๐˜ด๐˜ฐ๐˜ฏ โ€“ ๐˜‹๐˜ข๐˜ฏ๐˜จ๐˜ฆ๐˜ณ๐˜ฐ๐˜ถ๐˜ด (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜—๐˜ฐ๐˜ณ๐˜ค๐˜ถ๐˜ฑ๐˜ช๐˜ฏ๐˜ฆ ๐˜›๐˜ณ๐˜ฆ๐˜ฆ โ€“ ๐˜๐˜ฏ ๐˜ˆ๐˜ฃ๐˜ด๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ข (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜—๐˜ฐ๐˜ณ๐˜ค๐˜ถ๐˜ฑ๐˜ช๐˜ฏ๐˜ฆ ๐˜›๐˜ณ๐˜ฆ๐˜ฆ โ€“ ๐˜๐˜ฆ๐˜ข๐˜ณ ๐˜ฐ๐˜ง ๐˜ข ๐˜‰๐˜ญ๐˜ข๐˜ฏ๐˜ฌ ๐˜—๐˜ญ๐˜ข๐˜ฏ๐˜ฆ๐˜ต (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜š๐˜ญ๐˜ฆ๐˜ฆ๐˜ฑ โ€“ ๐˜๐˜ฐ๐˜ญ๐˜บ ๐˜”๐˜ฐ๐˜ถ๐˜ฏ๐˜ต๐˜ข๐˜ช๐˜ฏ (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜š๐˜ญ๐˜ฆ๐˜ฆ๐˜ฑ โ€“ ๐˜›๐˜ฉ๐˜ฆ ๐˜š๐˜ค๐˜ช๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ๐˜ด (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜–๐˜ฎ โ€“ ๐˜ˆ๐˜ฅ๐˜ท๐˜ข๐˜ช๐˜ต๐˜ช๐˜ค ๐˜š๐˜ฐ๐˜ฏ๐˜จ๐˜ด (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜Š๐˜ข๐˜ฏ๐˜ฅ๐˜ญ๐˜ฆ๐˜ฎ๐˜ข๐˜ด๐˜ด โ€“ ๐˜Œ๐˜ฑ๐˜ช๐˜ค๐˜ถ๐˜ด ๐˜‹๐˜ฐ๐˜ฐ๐˜ฎ๐˜ช๐˜ค๐˜ถ๐˜ด ๐˜”๐˜ฆ๐˜ต๐˜ข๐˜ญ๐˜ญ๐˜ช๐˜ค๐˜ถ๐˜ด (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜‰๐˜ฆ๐˜ญ๐˜ญ ๐˜ž๐˜ช๐˜ต๐˜ค๐˜ฉ โ€“ ๐˜”๐˜ช๐˜ณ๐˜ณ๐˜ฐ๐˜ณ ๐˜™๐˜ฆ๐˜ข๐˜ฑ๐˜ฆ๐˜ณ (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜—๐˜ข๐˜ญ๐˜ญ๐˜ฃ๐˜ฆ๐˜ข๐˜ณ๐˜ฆ๐˜ณ โ€“ ๐˜๐˜ฆ๐˜ข๐˜ณ๐˜ต๐˜ญ๐˜ฆ๐˜ด๐˜ด (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜‹๐˜ฆ๐˜ข๐˜ง๐˜ฉ๐˜ฆ๐˜ข๐˜ท๐˜ฆ๐˜ฏ โ€“ ๐˜š๐˜ถ๐˜ฏ๐˜ฃ๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜‹๐˜ฆ๐˜ข๐˜ง๐˜ฉ๐˜ฆ๐˜ข๐˜ท๐˜ฆ๐˜ฏ โ€“ ๐˜–๐˜ณ๐˜ฅ๐˜ช๐˜ฏ๐˜ข๐˜ณ๐˜บ ๐˜Š๐˜ฐ๐˜ณ๐˜ณ๐˜ถ๐˜ฑ๐˜ต ๐˜๐˜ถ๐˜ฎ๐˜ข๐˜ฏ ๐˜“๐˜ฐ๐˜ท๐˜ฆ (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜’๐˜ฐ๐˜ณ๐˜ฏ โ€“ ๐˜’๐˜ฐ๐˜ณ๐˜ฏ (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜’๐˜ฐ๐˜ณ๐˜ฏ โ€“ ๐˜“๐˜ช๐˜ง๐˜ฆ ๐˜๐˜ด ๐˜—๐˜ฆ๐˜ข๐˜ค๐˜ฉ๐˜บ (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜‰๐˜ญ๐˜ข๐˜ค๐˜ฌ ๐˜›๐˜ฐ๐˜ฏ๐˜จ๐˜ถ๐˜ฆ โ€“ ๐˜•๐˜ข๐˜ฅ๐˜ช๐˜ณ (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜‹๐˜ฆ๐˜ข๐˜ต๐˜ฉ โ€“ ๐˜๐˜ถ๐˜ฎ๐˜ข๐˜ฏ (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜‹๐˜ฆ๐˜ข๐˜ต๐˜ฉ โ€“ ๐˜š๐˜บ๐˜ฎ๐˜ฃ๐˜ฐ๐˜ญ๐˜ช๐˜ค (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜‹๐˜ฆ๐˜ข๐˜ต๐˜ฉ โ€“ ๐˜›๐˜ฉ๐˜ฆ ๐˜š๐˜ฐ๐˜ถ๐˜ฏ๐˜ฅ ๐˜ฐ๐˜ง ๐˜—๐˜ฆ๐˜ณ๐˜ด๐˜ฆ๐˜ท๐˜ฆ๐˜ณ๐˜ข๐˜ฏ๐˜ค๐˜ฆ (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜•๐˜ช๐˜จ๐˜ฉ๐˜ต๐˜ธ๐˜ช๐˜ด๐˜ฉ โ€“ ๐˜–๐˜ฏ๐˜ค๐˜ฆ [๐˜™๐˜ฆ๐˜ฎ๐˜ข๐˜ด๐˜ต๐˜ฆ๐˜ณ๐˜ฆ๐˜ฅ] (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜•๐˜ช๐˜จ๐˜ฉ๐˜ต๐˜ธ๐˜ช๐˜ด๐˜ฉ โ€“ ๐˜‹๐˜ข๐˜ณ๐˜ฌ ๐˜—๐˜ข๐˜ด๐˜ด๐˜ช๐˜ฐ๐˜ฏ ๐˜—๐˜ญ๐˜ข๐˜บ (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜‰๐˜ฆ๐˜ฉ๐˜ฆ๐˜ฎ๐˜ฐ๐˜ต๐˜ฉ โ€“ ๐˜›๐˜ฉ๐˜ฆ ๐˜š๐˜ข๐˜ต๐˜ข๐˜ฏ๐˜ช๐˜ด๐˜ต (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜”๐˜ฆ๐˜ต๐˜ข๐˜ญ๐˜ญ๐˜ช๐˜ค๐˜ข โ€“ โ€ฆ๐˜ˆ๐˜ฏ๐˜ฅ ๐˜‘๐˜ถ๐˜ด๐˜ต๐˜ช๐˜ค๐˜ฆ ๐˜ง๐˜ฐ๐˜ณ ๐˜ˆ๐˜ญ๐˜ญ (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜”๐˜ฆ๐˜ต๐˜ข๐˜ญ๐˜ญ๐˜ช๐˜ค๐˜ข โ€“ ๐˜”๐˜ฆ๐˜ต๐˜ข๐˜ญ๐˜ญ๐˜ช๐˜ค๐˜ข (๐˜ข๐˜ญ๐˜ฃ๐˜ถ๐˜ฎ)
๐˜š๐˜ฆ๐˜ฑ๐˜ต๐˜ช๐˜ค๐˜ง๐˜ญ๐˜ฆ๐˜ด๐˜ฉ โ€“ ๐˜›๐˜ช๐˜ต๐˜ข๐˜ฏ
๐˜š๐˜ฆ๐˜ฑ๐˜ต๐˜ช๐˜ค๐˜ง๐˜ญ๐˜ฆ๐˜ด๐˜ฉ โ€“ ๐˜Š๐˜ฐ๐˜ฅ๐˜ฆ๐˜น ๐˜–๐˜ฎ๐˜ฆ๐˜จ๐˜ข
๐—ฆ๐—ข๐—จ๐—ฅ๐—–๐—˜๐—ฆ ๐—จ๐—ฆ๐—˜๐——: ๐˜š๐˜ข๐˜ฎ๐˜ด๐˜ถ๐˜ฏ๐˜จ ๐˜Ž๐˜ข๐˜ญ๐˜ข๐˜น๐˜บ ๐˜š8+; ๐˜๐˜ช๐˜ช๐˜ฐ ๐˜Ÿ3 ๐˜”๐˜ข๐˜ณ๐˜ฌ ๐˜๐˜๐˜

Overall Tonality
โƒ strongly straddles along the line between the EDA Balanced & Heavy Bass version
โƒ Commendations to KZ for giving us a โ€œfunโ€ sounding IEM without sacrificing midrange maturity and control of both bass & treble frequencies
โƒ Can suffer some distortion in higher volumes, might be due to its Bluetooth/wireless nature
โƒ Overall another win for KZ in terms of sound, theyโ€™re finally coming to a point in leaving behind the heavy V-shaped sound in favor for a fun yet nuanced listen

Bass
โƒ Brings the boomy and punchy kicks when he song needs it, but does not bleed too much into other frequencies
โƒ Still midbass focused, which can be heard from its predominant kick and punches with average attack and decay
โƒ Even with its bias on punch, it still brings in the meat and rumble by not leaving the subbass frequencies behind
โƒ Texture in the bass is honestly a shocker for a TWS; even in its punchy response, it still has quite a texture to it that I still havenโ€™t heard from all the TWS that I have reviewed
โƒ Said bass texture is palpable out of the box, which really shows KZโ€™s mastery of tuning their dynamic drivers

Mids
โƒ Even with its more balanced approach, it still remains KZโ€™s weakness in terms of tuning
โƒ Features the same balanced and more natural midrange approach of recent KZ/CCA releases, but still quite lacks the โ€œmeatinessโ€ and layering
โƒ Focused on the higher midrange frequencies in bringing the โ€œbalanceโ€ and clarity, thus favors higher pitched instruments and vocals
โƒ As said, female vocals are preferred here because of the sweetness of the upper mid range; beautifully rendered with a little bit of spice to it to keep things exciting
โƒ Male vocals are has a slight-to-medium amount of veil to its presentation, metal growls take quite a hit
โƒ Instruments are generally rendered on the leaner side of the โ€œbalancedโ€ spectrum; the VXS is nice for string section (violins, guitars, etc.), but is generally underwhelming in the brass section (tuba, etc.)

Treble
โƒ have a lot of energy and vitality to its response, yet still suffers from KZโ€™s near patented artificial sounding treble response
โƒ Focused more on shimmer rather than body, which gives crispiness and utmost clarity to modern-produced albums
โƒ The aforementioned artificiality still plagues the VXS: it has moments where treble sounds โ€œforcedโ€ to give out a fake sense of โ€œhifi-nessโ€ to it, which in turn results in a sometimes fatiguing listen with an off-putting timbre
โƒ Despite my gripes with it, its still on the better side of KZโ€™s releases when compared to their older, heavy v-shaped IEMs of the past

Soundstage/Imaging
โƒ has a surprisingly better soundstage capabilities than KZโ€™s wired IEM releases, which is really great for its second purpose of gaming
โƒ Not an overly cavernous experience, has an above average height and width to really just compliment its great imaging
โƒ Imaging is quite nice, with everything sounding separate while cohesing together to form a bodied sound

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