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BQEYZ Cloud Review: Atmospherical Experience – Pietro’s Take

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Disclaimer:

I finally had the opportunity to receive the BQEYZ Cloud IEM. I had only been able to test their Topaz, which was definitely interesting. Even if it is late compared to others, I am happy to have received them to test. The company creates some really intriguing models, and this one in particular shares, albeit slightly differs from, the Simgot EA1000 configuration that I will compare it to.

However, the review will still be 100% honest and, in no way, biased.

I’m not an audiophile; I’m just a guy that likes to test out different IEMs and DACs and spends a lot of time listening to music.

So I’m not going to use super-technical words to review it, but I will do my best to describe it.

Tech Specs:

Packaging:

Front Box
Back Box
Unboxing
First look
Unboxed
BQEYZ Cloud

The BQEYZ Cloud packaging is quite neat but at the same time simple. It doesn’t stand out in the price range in which it is positioned, but I still consider it a well-made package. Simgot, with the EA1000, had made a noteworthy package. But we are not here to pay for plastic, cardboard, bright colors, and elaborate designs. So BQEYZ’s choice is fine. Once opened, we find cardboard covering the IEMs that we find embedded. 

Below, inside the box, we find the case with the accessories and a small box containing:

Hard Case
Case, Cable and Tips
Little brush
Good quality tips
Foam Tips
4.4mm Cable

A fair amount of accessories for the price paid; the metal laminate tips look great on a $169 product. Foam tips are also welcome. The included cable is not very thick but is of good quality. It is also quite light. The case is very well made, in line with products in its price range.

Design/Build quality:

BQEYZ Cloud
Front & Back
Cloud on Cactus
Really nice shell
Good shape
Gorgeous looking

The build quality of the BQEYZ Cloud is high, the body is made of CNC-machined alloy, quite light with a compact shape, and the color is actually particular in this greenish blue. The finishes are excellent. The faceplates are very simple; they could vaguely remind us of a cloud; you have to use your imagination, but in this color, it reminds us of some reflection of the sky. The nozzle is of a different color, but the dimensions are average. On the shell, you can see two ventilation holes, one round in front of the passive radiator, while the other long hole is on one side.

Built into technology:

The BQEYZ Cloud integrates a technology already seen in other IEMs, namely the 10mm DD pairing with a 6.8mm passive radiator.

However, it is described as working as a high-frequency filter; it suppresses the excess while increasing the level of detail and clarity. I believe it has an effect on other frequencies as well, honestly.

Closer look
Labeling
Metal nozzle and mesh
Connector
Venting
Wavy vibes

The actual functioning of the passive driver is not yet very clear to me, but in this case, it seems that it absorbs the low frequencies and softens them to favor the mid-high frequencies, and indeed, the tuning brings a lot of brightness and air to that region. Indeed, it is very bright and not for everyone, but in some genres, the voices are extraordinarily realistic.

Comfort/Fit:

Shell focus
Nozzle focus
Venting – Shape 3

The shape of the shell is great, but maybe the angle doesn’t make it suitable for many of the tips I own. The position of the nozzle, maybe the length, or maybe the position of the cable. I had to use the classic tips (atmospheric) or the Divinus Velvet tips to have a seal and good stability. No weight or pain was felt even after hours of use.

The importance of finding the perfect eartip on the BQEYZ Cloud is definitely a real problem. This could be just my problem due to the shape of my ears, but in any case, the BGVP A08 is the one that gave me the best sensations, even superior to the Divinus Velvet. The original ones included in the package are of excellent quality, but at least the Widebore does not guarantee the maintenance of the bass. The deeper the insertion is, the more the bass somehow manages to peek out behind the mids and highs.

Right
Left

Initial sound impression:

The first impression of the BQEYZ Cloud was a bit disconcerting, after several IEMs that more or less all follow the same path. They are IEMs that are very vocal-focused. The initial impact is extremely difficult to explain, but after so many similar IEMs, I can assure you that this one stands out from the crowd. It is not a tuning that you get used to immediately; it is focused on brilliance and clarity. It is absolutely not an IEM suitable for everyone. The tips immediately proved to be something to choose carefully. The bass region is extremely damp, and a weak seal causes you to lose all of it.

Equipment used for the testing above:

Device:

Software:

DAC:

Final sound impression:

For personal taste, I would like to point out that I would have liked a more present bass and a more pronounced sub-bass, but undoubtedly we are faced with an IEM that puts the voices in the foreground and does so in a more than excellent way. The tuning is very coherent, even if at times the choice to limit the bass region makes the midrange experience a bit thin. Even if this sensation is not always felt occasionally, the brilliance and extreme clarity of the BQEYZ Cloud tend to thin the notes a bit. The choice is undoubtedly counter-tendency, and the female voices are extremely vivid, detailed, and surrounded by air. It is certainly the most airy experience I have had to date, and the atmospheric effect is there.

I assure you that if you get the eartips wrong, the bass practically disappears, so the search for the right tips in this case is absolutely necessary. The subbass has an almost immediate roll-off, perhaps a bit too much. The potential of the driver is audible because, if required, the bass is particularly clear and pleasant, even if unfortunately not very pronounced, which makes them not suitable for every musical genre. For example, if you have songs particularly rich in highs, these IEMs may not be suitable; some EDM tracks are a bit too much. Some tracks are reproduced in an excellent way, but if you have tracks with already excellent vocals, these are capable of raising the quality.

I leave you the graph of my friend Fahryst.

Amazon Playlist with suitable music for this IEM: Alt&B Music

BQEYZ Cloud

Bass

The bass of the BQEYZ Cloud is decidedly lazy; it needs help, and the solution is perfect sealing and, if possible, deep insertion. I personally found the right balance with a fairly common tip available in almost every set, which is the BGVP 08. In this way, I recovered a notable quantity of low frequencies, which makes the whole mix more accurate and pleasant. Probably the best tips included are, in my opinion, the atmospheric ones, which are very similar to those that I then decided to use.

Mids

The midrange surprises with its extremely energetic and vivid nature. The voices are so clear and in the foreground that everything else is in the background. The tracks are more inviting, and the female voices have superior detail. For the male voices, a bit of body is missing. Very natural and organic timbre that makes both voices and instruments extremely realistic and correctly presented. If you are looking for a mid-centric IEM, you are in the right place.

Treble

The highs are spicy, but I wouldn’t call them harsh; it really depends on the track and listening volume. Being very bright, raising the volume to extreme levels is much more difficult. I think my ears reach saturation, but I don’t notice hisses or harshness. Maybe sporadically on some tracks, but somehow they managed to extend the highs in a scary way while maintaining excellent control. The presence of air is high, which contributes to the expansion of the soundstage at all frequencies. It feels like being in a wind tunnel because of how much air there is.

Soundstage and Imaging:

In terms of soundstage, the perception is definitely above average; it is very expansive, and the image, being extremely clear, also has a holographic touch. The separation of the sounds is excellent, and the whole thing contributes to a result that stands out in this price range.

The atmospheric touch on a line of weather-inspired IEMs is the icing on the cake. The BQEYZ Cloud undoubtedly aims high, sometimes even going beyond the clouds.

Comparison:

Comparisons can be made on IEMs in the same price range as the EA1000, which also have a similar configuration. If you are interested in other comparisons, just leave a comment.

vs Simgot EA1000

Simgot EA1000

The Simgot EA1000 is much more relaxed; for my personal taste, I normally prefer this kind of listening, but I have to say that the BQEYZ at medium-low volume gives considerable satisfaction, at times even superior to the Simgot EA1000. However, the bass on the EA1000 has a superior texture and more presence, as I like it. There is no real winner in terms of performance, but there can be personal preference. In my case, I vote for the Simgot EA1000 because it is more versatile for the musical genres I listen to.

Conclusion:

My conclusion is that it is not an IEM for everyone; the main reason is that the treble is quite elevated; you have to be able to tolerate it. BQEYZ Cloud is a mid-centric IEM that gives strong emotions when the voices in your songs come on stage. They have no rivals in the R&B and soul genres. If you are a basshead, I am sorry to disappoint you, but they are not for you. You should direct your choice elsewhere. But if you are tolerant of bright highs, then this is for you.

That said, the product is great, the build quality for the price is right, and the sound performance is top notch. Occasionally, the mids can be a bit thin and the highs can be a bit sharp, but it really depends on the tips and the quality of the track. The atmospheric feel of their sound is the most impressive thing.

8.4/10

Rating: 4 out of 5.

Pros: 

Cons: 

Where to buy and more information (no affiliated links):

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