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BQEYZ BQ-10 IEM Review: Budget Choice

Kindlefirehditaly

Disclaimer:

Good morning, readers. After a long time, BQEYZ has decided to send me a new model. This time it is the BQEYZ BQ-10, a particularly cheap IEM but of excellent workmanship and quality. I was very interested in the model because it uses a 12mm DD that is no longer used by many. The last ones that used ultralarge drivers were some Opera Factory/Whizzer and they had decidedly meaty and deep bass.

I’m not an audiophile; I’m just a guy that likes to test out different IEMs and DACs and spends a lot of time listening to music.

So I’m not going to use super technical words to review it, but I will do my best to describe it.

Tech Specs:

Packaging:

Front Box
Back Box
Unboxing

The BQEYZ BQ-10 package is simple and small but with everything you need. Considering the price, the equipment is more than honest.

Inside we find:

Unboxed
Case + Cable
Eartips
Cable

For a set that can be bought under 30 USD, it seems like a fair price to me.

Design/Build Quality:

BQEYZ BQ-10
front & Back BQEYZ BQ-10
Shape

The build quality of the BQEYZ BQ-10 is not that different from the Topaz. The shapes are also relatively similar. The metal faceplate is very elegant and the main shell in dark resin is of good quality. The driver is unfortunately relatively little visible but the little that is seen actually shows a pretty large driver. There are no particular features but you can see many ventilation holes for the driver. One in the middle of the faceplate, and 3 on the inside, one before the nozzle and 2 that seem to be placed on the back. Very good-quality cable that is also sold separately at a particularly high price. Overall, we are well beyond entry-level quality for the price.

Initial sound impression:

From the first listening of the BQEYZ BQ-10, I had a flashback of the Opera Factory. The driver hits hard; the 12mm are particularly tough on the eardrums, especially if you turn up the volume. From the first listening, you notice how this model is particularly close to the territory of bassheads. The driver somehow manages to handle both high and low frequencies very well. The only flaw is the sub-bass extension seems slightly held back to me. The result perhaps tends more towards pure fun than a sound that aims for high fidelity but in a sea of ​​similar products, this finally has another flavor.

Comfort & Fit:

In terms of comfort, I would say they are very similar to the Topaz. The angle is not the best for my ears but it takes a moment to try some tips to immediately find the right ones. The ones included are both wide and narrow bores. The wide Eartips are a sort of SS20. Light cable that does not weigh you down and forms shells that do not create strange pressures inside the ear. They are medium comfortable.

Tips Rolling:

Since the nozzle in my case is perhaps a little short, I decided to mount the Divinus Velvet for improved comfort. In the included tips, perhaps I would have put two more different models. Because they have a practically identical shape, and therefore if the nozzle is short, you must necessarily switch to a model that is a few millimeters longer.

Equipment used for testing:

Device:

Software:

DAC:

Final sound impression:

It’s been a while since BQEYZ has offered a budget IEM model. Among the many enthusiasts, it is worth remembering that not everyone can afford top models. The build quality is excellent, while as far as audio quality is concerned, we find an IEM with a warm-bright tone. The mids and highs are particularly neutral, while as far as the low range is concerned, it adds warmth to the scene. A sound that I would not define as treble heads or bass heads. We are close to what we could call basshead IEMs but it lacks a bit of texture and, above all, sub-bass extension.

Bass

The bass, as in most drivers with large membranes, is slower but with more impact. At first listening, you might think you are listening to an IEM particularly rich in bass but in reality the sub-bass is quite limited. They have a notable impact but the texture could also be better and they lack a sense of depth. The result is still very fun, even if not very technical.

The bassline of the 12mm PET driver is still impressive.

Mids

The mids manage to maintain a natural and neutral tone compared to the bass. The clarity and fairly advanced position of the voices is surprising, as they do not appear completely hidden or in the background. The vocal part is clearly audible even at low volume without having to push the volume too much. They are also described as suitable for gaming and I think they do not do badly.

Treble

The trebles are quite rich and clear, with a good brightness for the type of IEM. All the instruments, like cymbals, hi-hats, and violins, sound coherent without ever being too bright or harsh. There is a good extension with a fair amount of air but without ever exaggerating. The presence of sparks is well dosed and never excessive. They are very easy to tolerate IEMs for everyone with a good balance, not too technical.

Soundstage and Imaging:

As anticipated, it is not an extremely technical IEM, but for the price, it is still average. The soundstage is not extremely wide; in fact, it seems to be particularly closed and actually limits the perception of a complete stage. As for layering and separation, it does very well. I do not think that with such a limited soundstage it is the best for gaming but despite everything, it is clear enough to return enough details. I think the description is vague to capture the attention of a wider audience but the reality is that it is a versatile IEM suitable for EDM music and similar.

Comparison:

There are so many choices now that it is even difficult to give advice on them. In terms of single DD IEMs, the market is full but if you look at the size of the drivers, there are not many that go beyond 10 mm. In theory, the bass on larger drivers can go even lower with a good EQ. A lot also depends on the driver itself.

vs Opera Factory OM3 (old basshead glory)

The OF OM3 is the pinnacle of this brand with its purely Bassheads series. It’s like a white fly since it’s now out of production and unobtainable. I particularly loved this model, to be honest, and going back to listen to it today, I understand how a few years ago it was particular. Other models from the Opera factory I seem to remember had arrived at 13mm drivers with really very annoying bass. But the latest top model produced had both bass and treble with good clarity of sound. Tone a bit unnatural but the extension of the bass and their impact were the top especially when they were sold off. Leaving aside the tonality, the soundstage is more elaborate and wide.

vs Tiandirenhe TD08 Pro

Then there are the Tiandirenhe that, in the shadow of big manufacturers, produce gems like the TD08 Pro. I don’t know how to define them because they are truly particular and special. In addition to the beauty of the IEM, they are also better than the BQ-10; instead of adopting a large driver, they adopted an armored 10mm that produces cannon shots. The bass is full-bodied, fast, and deep. More natural than the Opera Factory, they are IEMs that deserve much more success than they currently have.

Conclusion:

The market in this category and price are really very wide. I can’t tell you which one to choose because by the time I publish the review, just as many will have come out. The Bqyez BQ-10 is an IEM that I really liked and I will give it to a friend of mine who likes bass and especially uses the equalizer a lot. I’m sure that the driver’s ability to handle extra bass will definitely be appreciated. Thanks to BQYEZ for the test unit.

7.6/10

Rating: 4 out of 5.

Pros: 

Cons: 

Where to buy (no affiliations):

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